Deadhead's Phil & Friends CD-R List
DATE VENUE CD's SOURCE/NOTES
04/15/73 "Phil & Ned" 1
12/19/76 Warfield 1 SBD -> Cass x3 or 4 -> CDR -> Soundforge -> SHN(1)>CDA(1)
09/24/94 Berkeley Comm. Theater 1 Phil, Bob, Jerry & Vince
08/08/98 Warfield 3
04/15/99 Warfield 3 DAUD; With Trey & Page of Phish
04/16/99 Warfield 3 DAUD; With Trey & Page of Phish
04/17/99 Warfield 3 DAUD; With Trey & Page of Phish
05/29/99 Calaveras Cty Fairground 3 Neumann KM254-> Tascam DA-P1 halfway between stage and SBD
06/05/99 Warfield 3 AKG C3000-> SBM1-> D8 (taper's section)
08/13/99 Red Rocks 2 AKG -> DAT -> CDR -> EAC -> WAV -> SHN
08/14/99 Red Rocks 2 FOB B&K 4021s (XY, stealth, sweetest spot imaginable & not in a hat^)> Apogee AD-1000 (44.1kHz)>HHb PDR-1000>DAT(m)>ZA-2>PC (SoundForge 4.0 for)fades & peak normalization>Audio CDR>EAC (X2 with 0 error wav compare)>shn
08/14/99 Red Rocks 1 DVD; Video Source: Tri-pod Mounted Camera>VHS>?>DVD; Audio Source: FOB B&K 4021s>Apogee AD-1000 (44.1kHz)>HHb PDR-1000>DAT(m)>ZA-2>SoundForge 4.0 >Audio CDR>EAC>shn (shnid=1488)>WAV>ADOBE AUDITION>ADOBE ENCORE.
08/22/99 Santa Barbara 2 Schoeps MK41/CMCG > Soosaz SX > Sony D-8 > CDR
10/08/99 Warfield 3 UNK DAUD
10/21/99 Fillmore Auditorium, Denver 3 "AKG 4801"(AKG C480+CK61 cardiod capsules)-> Lunatec V-2-> Graham-Patten ADC-20-> D8; Transfer: D8-> CDRs-> EAC (x2 with wav compare) -> SHN
10/22/99 Fillmore Auditorium, Denver 3 B&K 4011 > Lunatec V2 > AD1000
10/23/99 Fillmore Auditorium, Denver 3 B&K 4011 > Lunatec V2 > AD1000
11/10/99 New Haven Col. 2 UNK DAUD
11/14/99 Worchester, MA 2 DVD - aud shot on tripod
11/15/99 Barton Hall 2 FOB B&K 4061>V2>Dat>CD>EAC>mkwACT>SHN
11/18/99 Amherst, MA 2 Shoeps MK 4>DAT>??>SHN>CDR
03/10/00 Kaiser Center 3 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA
05/27/00 Mountain Aire 1
09/21/00 Roseland Ballroom 5 One For Woody; ABB, Phil & Friends, Crowes, Govt. Mule; Microtech-Geffel M210->Oade M246->Sony SBM-1->Master DAT (Sony D-8)->CD-R; 1 full CD of Phil, sits in with ABB for Franklin's Tower, plus with Mule for Wish You Were Here
10/21/00 Riviera, Chicago 3 DSBD>DAT>CDR; Phil E-Show
10/24/00 Denver Philmore 3 DSBD>DAT>CDR; Phil E-Show
10/27/00 Las Vegas HOB 3 DSBD>DAT>CDR; Phil E-Show
10/28/00 Wiltern, L.A. 3 DSBD>DAT>CDR; Phil E-Show
12/01/00 Asheville, NC 5 DSBD>DAT>CDR; Warren's XMAS Jam
04/14/01 Fort Lauderdale 3 UNK DAUD
04/19/01 Ashevlle, NC 3 UNK DAUD>?>Berthaized (Dual DAW)>CDR
04/28/01 Electric Factory 3 NAK CM300 (CP4, CP4, CP4)>MX100>D8>CDR
07/01/01 Greek Theater 3 AUD(RodeNT2)>>MDAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA>>SHN
07/06/01 Red Rocks 3 17th Row Source: MG 210>m248>sbm1>Dat>CD
07/07/01 Red Rocks 3 DSBD>DAT>CDR; My 1st Phil show; DSBD>DAT>CDR>Bertha (DAW) Remaster>CDR>EAC>SHN>CDR
07/18/01 Polaris Amp 3 FOB (20th row) DFC Schoeps CMC6/mk4's > Sonosax > HHb; Transfer: DA-P1 > Delta Audiophile 2496 > Samplitude (48>44.1) > CDWave > mkwACT
07/21/01 Hartford Meadows 3 Recorded by: Ben Ehrsam from the Taper section; MBHO 603a/KA200 > MP-2 > Tascam DAP1 > DAT > DIGI > HHB 830 > CDR; Conversion: EAC > Cool Edit 2000 (remove track boundary pops and lots of nearby claps) >CD Wave > SHN (mwkact with seektables appended)
07/29/01 Star Pavillion 3 Recorded FOB, 9th row DFC Neumann KM 184’s > Lunatec V2 > D8 > Archive Python 01931-xxx5.63 SCSI DDS/DAT2WAV > * .wav > CD Wav >SHN (MKW)(Direct DAT extraction, no soundcard)
08/05/01 Atlanta 3 MK4>KC5>CMC6>V2>HHb (FOB)
11/12/01 Columbus, OH 3 MBHO 603's/ka200's > Lunatec V2 > DA-P1; Transfer: DA-P1 > Audiophile 2496 > Samplitude(48>44.1) > CDWave > mkwACT; Taped and transferred by Doug Nawrocki
11/17/01 Bethleham, PA 3 Schoeps MK4v > VMS5u > SBM-1 > DA-P1 (FOB/DFC on stand)>SHN>CDR
11/23/01 Orpheum, Bostom 3 FMS (WZLX)>UNK>CD-R
12/03/01 Beacon Theater, NYC, NY 2 with Bobby; Audience shot DVD
12/30/01 Kaiser Auditorium 3 15th row center FOB Neumann KM140>V2>SBM1
12/31/01 Kaiser Auditorium 3 15th row center FOB Neumann KM140>V2>SBM1
03/29/02 Warfield 3 (FOB) Neumann KM150 > Lunatec V2 > Dat > Samplitude v5.9 > Cool Edit Pro > WAV > SHN.
03/30/02 Warfield 3 (FOB) Neumann KM150 -> Lunatec V2 ->Sony SBM1 ->Dat ->Samplitude v5.9 ->CD
04/04/02 Denver Fillmore 3 My second Phil show! DFOB/DFC ~ 35' from stage -- MBHO ka200 (DIN 6' stand) > Active Cables > 603a bodies > 10 db pads > Oade M118 (mod) > Apogee AD500 (44.1k, soft limit off)>dat; DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
04/05/02 Denver Fillmore 3 My third Phil show! DFOB/DFC ~ 40' from stage -- MBHO ka200 (DIN 6' stand) > Active Cables > 603a bodies > 10 db pads > Oade M118 (mod) > Apogee AD500 (44.1k, soft limit off)>dat; DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
08/03/02 Alpine Valley 2 Earthworks SR 77's > Lunatec V2 > AD2K > D8; Transfer: DA-P1 > Audiophile 2496 > Wavelab 3.0 (48 > 44.1) > CDWave > mkwACT
08/30/02 Aspen, CO 3 "The Pickel"AKG 522MS sterio mic>V2(MSMode)>SBM2>CDR>EAC>CD Wave(tracked)>SHN(mkw); transfer: D100>HHB850
08/31/02 Red Rocks 3 "The Pickel"AKG 522MS sterio mic>V2 MSMode)>SBM2> CDR>EAC>CD Wave(tracked)>SHN(mkw); transfer: D100>HHB850
09/01/02 Red Rocks 3 Nakamichi CM-1000 mics (spaced 12" @ approx. 45 degrees) > Edirol UA-5 > M1 @ 48kHz;Transfer: M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1k) > cdwav > SHN
09/25/03 Warfield 3 Nakamichi 700's> Apogee MiniMe> DAT @44.1>tascam DA-30 MKII>zoltrix nightengale>cdwav>shn
11/14/03 Denver Fillmore 3 Nakamichi CM-1000s > Edirol UA5 (Oade digi-out and "presence" modified @ 48k) > Sony PCM-M1 > Delta Dio 2496 > Samplitude 2496 (48k > 44.1) > cdwav > wav > SHN
11/15/03 Denver Fillmore 2 [DFCTS/90*DIN/7.5']DPA 4011>Lunatec V3>Benchmark AD2K>RME Multiface>Vaio>WaveLab>wav @24bit/96kHz Transfer: wav>WaveLab>UV22HR (dither to 16bit/44.1kHz)>wav>CDWave>FLAC>CDR
11/16/03 Denver Fillmore 3 adk 51-tl (ortf hyper)->UA-5(warm mod)-> sony d-8 Recorded by Chris Arne Transfer: D-8 -> Audiophile 2496 ->Soundforge 7.0 ->CDWAV ->MKW
12/17/04 Warfield 3 SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN
12/18/04 Warfield 3 SBD>>DAT>>CDA>>FLAC>>DAW(Bertha)>>CDA/SHN
02/12/05 San Franciso, CA 4 UNK SBD source from the Phil Zone
07/15/05 Denver Fillore 3 Source: Digital Audience: Recorded by Rob R; 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp
07/16/05 Red Rocks 3 SOURCE: Oktava MC-012 (Cards DIN) > Edirol UA-5 (Oade Digi-mod only) > Optical > Creative Nomad Jukebox 3 (aka JB3); LOCATION: Front left of TS (located behind the board); TRANSFER: Nomad Jukebox 3 > Firewire > Sound Forge 7.0 (mastering; see below) > CD Wave (tracking) > Wave > Flac Frontend > FLAC (level 6); MASTERING: In Sound Forge 7.0: Slight EQ (boost highs 0.5 db - 2.0 db) > Waves L1 Ultramaximizer+ > Waves L2; CONVERSION: Mastered .wav File > Flac Frontend (version 1.7.1) > Level 6 FLAC FILE
10/29/05 "Vegoose" Las Vegas, NV 2 Source:ADK TL 51s> 20'FOB 2'right of DFC> UA-5> JB3(16/44.1 kbs) transfer: JB3>USB>wave lab 5.0>FLAC Frontend taped and transfered:Sean Wentland (slightlys)
11/22/05 Newark, NJ 3 Source: AKG JWmod 463's>V3>JB3; Location: OTS Stand at 8 feet; Transfer: JB3>CDwave>flac
11/23/05 NJPAC Newark NJ 1 DVD-Audio; SBD>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD
12/01/05 Boston, MA 3 Source: AT853Rx (hyper caps) >UA5 WMOD+ > JB3; Transfer: JB3>Creative Playcenter> CDWav> Soundforge 6.0 for fades > Flac Frontend level 8
12/04/05 Albany, NY 3 Source: Neuamnn KM184> Oade w-mod. UA-5 (44.1 kHz)> optical> JB3 [DIN 90*, 1st row OTS 5' LOC]; Transfer: JB3> firewire> Sound Forge 6.0 (fades)> cdWave> FLAC Frontend
12/30/05 Bill Grahsm Aud, SF, CA 3 Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1’s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48); Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16
12/31/05 Bill Graham Aud, SF, CA 3 Source: (Vintage 48V modified) Gefell MV 692 + M94 -> Stewart BPS-1’s -> Nakamichi MX-100 -> MicroTrack 2496 (24/48); Transfer: MicroTrack 2496 -> Audacity (16/44.1) -> CD Wave -> FLAC16
06/18/06 Bonaroo 3 Source: Peluso cemc6/ck4's (DIN,7'FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1); Transfer: jb3>creative playcenter>cdwave>flac
06/23/06 TBPAC 3 Source: Schoeps mk4/cmc6 -> Lunatech V3 -> Sound Devices 722
06/24/06 Gard Rock, Orlando, FL 3 KM140(ORTF)>W/UA-5>JB3 JB3>USB>WAVELAB5>CD WAVE>FLAC
06/25/06 Hi-Fi Amp, Atlanta, GA 3 KM140(ORTF)>W/UA-5>JB3 JB3>USB>WAVELAB5>CD WAVE>FLAC
06/27/06 Ashville, NC 3 Source: Schoeps mk4/cmc6 -> Sound Devices 722
06/30/06 Tweeter center, NJ 3 24 Bit! Equipment: Schoeps MK4 > Active Cables > NBox > RCA to 1/4" TRS > Microtrack 24/96 @ 24bit/48Hz Location: FOB Section 101 Row M Seat 4 (25ft in front right stack), DIN @ 6ft Transfer: microtrack 24/96 > USB > Wavlab 5.00a (fades/tracking) > Flac Frontend 1.7.1 (Level 8)
07/01/06 Homdel, NJ 3 source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend
07/02/06 Saratoga Springs, NY 3 source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn]
07/03/06 Hartford, CT 3 source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* DFC tapers section, Lawn]
07/06/06 Mansfield, MA 3 source: Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3; [DIN 90* DFC tapers section, Lawn]; transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend
07/09/06 Bethel, NY 3 16BIT VERSION Source: JWMod AKG 461's>V3>722(24/96); Location: OTS Lawn Center; Transfer: 722>Adobe Aud. 2.0 16/44>CDwav>flac
07/11/06 Scranton, PA 3 Source: AKG CK1x(din@90%)>JWMod AKG 460's>722(24/96); Location: Lawn OTS Center; Transfer: 722>Adobe Aud>16/44>CDwav>flac
04/09/07 S.O.B.'s - New York, NY 3 Source: Schoeps mk4> NBox+> R09 (24/48); Wave Lab 5 (fades)> CDWave (tracks)> Wave Lab 5 (resample, Apogee uv22hr dither)> FLAC16
06/03/07 Hunter Mtn Ski Area, NY 3 Source: Nakamichi 100 shotguns (X2)> Sony SBM-1 > Sony M1 @ 48/16 Transfer: Tascam DA-P1 > Coax Out > RCA CDRW XXX . Extracted via xACT v1.4b24 > HD > Peak 5.0 (Tracking), > xACT v1.4b24 (fix SBE, convert to flac level 7, generate checksums, verify).
09/23/07 Greek Theater 3 Great line-up & show
09/28/07 Fillmore, Denver, CO 3 I was there. Very nice show
09/30/07 Red Rocks, CO 3 I was there. Weather got a bit nasty, but the show was superb.
09/30/07 Santa Fe, NM 3 Source: Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD)Transfer: Korg MR-1000 -> AudioGate (16/44) -> CD Wave -> FLAC
10/05/07 Riviera Theater, Chicago 3 Source: ots, roc, 7.5ft, neumann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48; transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 6/44.1)>cdwav>tlh
10/06/07 Riviera Theater, Chicago 3 Source: ots, roc, 7.5ft, neumann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48; transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 6/44.1)>cdwav>tlh
10/07/07 Riviera Theater, Chicago 3 Source: ots, roc, 7.5ft, neumann km184 (nos, 30cm, 90 degrees)>fostex fr2le (busman vintage mod) @ 24/48; transfer info: fostex fr2le>usb>hd>wavelab>uv22 dither (for conversion to 6/44.1)>cdwav>tlh Source: GSA Omnidirectional Powered Stereo Microphone > Sony MZ-RH910 Transfer: SonicStage > .wav > Nero WaveEditor (tracking) > FLAC Frontend 1.7.1 > .flac
10/09/07 Orpheum Theater, Boston 3 Source: GSA Omnidirectional Powered Stereo Microphone > Sony MZ-RH910 Transfer: SonicStage > .wav > Nero WaveEditor (tracking) > FLAC Frontend 1.7.1 > .flac
10/10/07 Orpheum Theater, Boston 3 Source: Center mezz rail; Peluso P2 (XY) > Apogee MMP > Korg MR1 @ 1b/2.8gHz audiogate software for DSD > PCM conversion (straight to redbook)
10/12/07 Camden, N.J. 3 Source: Schoeps MK4V's>NBOX+>Korg MR-1 (1Bit/2.8MHZ)>Audiogate(Conversion to 16 bit/44.1khz)>Wavelab5(Fades)>CDWAV>FLAC - Recorded from Section 102 Row B
10/13/07 Charlottesville, Va. 3 Source: B&K4022(ortf)>Sonosax>744T Location: fob/dfc, Row 17/seat 9, stand @5'10"; Transfer: 44T>cd wave>wavelab(fades/resample/UV22)>flac
10/20/07 Glen Falls, NY 3 Trey Sits in for entire show Source: 2-Sennheiser-MD421's(u5-2's)>Digi-Mod Edirol UA5>optical out>(44.1khz)>NJB3>(44.1khz) Transfer: JB3>Nomad Explorer>PoulderbitS(fades/cuts)Flacfontend(level 8)>FLAC 16; Recorded from OTS DFC at soundboard Mics @14.5 foot
10/21/07 Syracuse, New York 3 Source: JWmod AKG 461's>V3(analog out)>722@24/96 Location: OTS, DFC STD. at 12 Feet Transfer: 722>Adobe Aud.>16bit>Cdwav>flac
01/26/08 Bill Graham Civic Ctr, S.F 3 Nakamichi 300 shotguns > Lunatec V3 > Sound Devices 744T
02/04/08 The Warfield, S.F. iClips.net live stream 1 "Dead For Obama"
03/09/08 Langerdoo Festival 2 Pro-shot video
11/18/08 Nokia Theater, NYC 3 Neumann Km 184 Mics>Lunatec V2>Korg Mr-1000>USB>Audio Gate>Cool Edit Pro>FLAC Frontend
xx/xx/xx Phil plays the Beatles 1 Various DAUD sources
Dead CDs
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Glenn Gillis (glenngillis@comcast.net)
