Deadhead's Grateful Dead CD-R List
Main CD-R Page
Glenn Gillis (glenngillis@comcast.net)
THE LIST
DATE VENUE CDs SOURCE/NOTES
xx/xx/xx Various DVD GDTV; GD on TV mostly stuff from the 80's & 90's
??/??/64 Pig & Jorma Fill Filler on Pig Demos;
xx/xx/xx Warner Bros. outs 2 Spans '65 to '72
??/??/65 Studio FILL Speed Limit (Cassidy backed by the Warlocks)
11/03/65 Warlock's Demos FILL Filler on 10/22/67
??/??/66 Pig Demos 1
01/xx/66 Unknown - Viola Lee Demos 1 SBD
01/08/66 Fillmore 1 SBD MR>DAT>CDR
01/29/66 Sound City Acid Test 1 SBD MR>DAT>Sonic Soluitions>CDR
02/xx/66 Studio Sessions 2 SBD unknown lineage
02/25/66 Ivar Theater 1 SBD 10" MR @7.5 ips 1/2 Track>DAT>Sonic Solutions>CD-R
03/19/66 Pico Acid Test 1 SBD MR>DAT>Sonic Solutions>CDR
03/25/66 Troupers Club 1 (w/7/3/66) MSR>DAT>CD
05/19/66 Avalon Ballroom 1 Pre-FM; SBD MR>DAT>Sonic Sense>CD-R
06/xx/66 Scorpio Studios 1 Outtakes
07/01/66 Fillmore Auditorium (?) 1 MSR>DAT>CDR
07/03/66 Fillmore Auditorium 1 MSR>DAT>CD
07/16/66 Fillmore Auditorium 1 SBD MR>PCM>SSSB>CDR
07/17/66 Fillmore Auditorium 1 SBD MR>PCM>SSSB>CDR
07/29/66 PNE Garden 1 SBD 10" MR @7.5 ips 1/2 Track->Panasonic SV3700 DAT->CD-R
07/30/66 PNE Garden 1 SBD 10" MR @7.5 ips 1/2 Track>Panasonic SV3700 DAT>CD-R
09/16/66 Avalon 1 SBD>Historic & Vintage Dead Records>CDR
10/02/66 SF State Acid Test 1 SBD MR>DAT>Sonic Solutions>CDR
10/07/66 Fillmore Audiitorium 1 SBD; originally fronm the S.F. nights compilation
10/31/66 Winterland Fill World Of Acid soundtrack
11/19/66 Fillmore Aud. 1 SBD
11/29/66 Matrix 1 SBD From the bootleg CD "See That My Grave is kept clean"
12/01/66 Matrix 1 MSR>Reel>DAT>CD 2nd & 3rd Set
??/??/67 Jerry talk FILL Jerry talking & commenting on 60's stuff
01/0?/67 RCA Studios FILL Studio outakes on 3/25/72
01/27/67 Avalon Ballroom 1 AUD MR>?>CD
02/12/67 Fillmore Auditorium 1 1/2 track MSR acetate > CDR Smokestack > King Bee; with 10/20/67.
03/18/67 Winterland 2 MSR>Cass>DAT>PCM>DAT>CDR
04/xx/67 KPMX Radio 2 Jerry & Phil w/DJ Tom Donahue - playing Jerry & Phil's favorite stuff; Pre-FM-MR>R>DAT>CDR; CDR>EAC(secure)>Cool Edit(remove gaps)>CDWav (retrack)>mkwact(seekable)
06/18/67 Monterey Pop 15 min
06/18/67 Monterey Pop 1 With the questionable extra songs...SBD:MR>Cass>DAT>ZA2>CD
07/23/67 Straight Theater Fill Cassidy Rap Jam (filler on 11/10/67)
08/4&5/67 O'Keefe Center 1 SBD - Also have the Airplane show from 8/5
09/03/67 Rio Nido 1 MSR>DAT>CDR
09/04/67 Rio Nido FILL SBD MR>Cass>DAT>CD; filler on 8/4 & 5 '67
09/15/67 Hollywood Bowl 1 AUD MR>4C>CD
10/20/67 Hollywood 1 Hunter's MSR > Beta > CDR
10/22/67 Winterland 1 MSR>DAT>CDR
10/31/67 Winterland FILL SBD>??>CD-R FILLER on 12/24/68 - vox are buried
11/10/67 Shrine Auditorium 2 SBD MR>Reel>DAT>CDR
11/11/67 Shrine Auditorium 1 SBD MR>Reel>DAT>CDR
11/14/67 American Studios 1 MSR>C(1)>DAT>WAV>SHN; Born Cross Eyed>Feedback and Dark Star alt. studio versions
xx/xx/68 Aoxomoxoa original Mix 1 STUDIO
??/??/68 ????????? 1 SBD - Unk. date/venue. Filler is 2/14/68..Disc #4 of 10/2/72
01/17/68 Carousel Ballroom 2 MSR>Cass>DAT>CD
01/20/68 Eureka Aud. 1 SBD>MR>DAT>CDR>EAC>SHN>CDR
01/22/68 Eagles Auditorium 1 SBD>(4 Track) Master Reels>DAT (44.1k)>Sound Devices 744T>Adobe Audition v1.5>Samplitude Professional v10.2 > FLAC
01/23/68 Eagles Auditorium 1 SBD> (4 Track) Master Reels>DAT (44.1k)>Sound Devices 744T>Adobe Audition v1.5>Samplitude Professional v10.2 > FLAC
01/27/68 Eagles Auditorium 1 Just Spanish Jam; SBD> (4 Track) Master Reels>DAT (44.1k)>Sound Devices 744T>Adobe Audition v1.5>Samplitude Professional v10.2 > FLAC
02/02/68 Crystal Ballroom 1 SBD> (4 Track) Master Reels>DAT (44.1k)>Sound Devices 744T>Adobe Audition v1.5>Samplitude Professional v10.2 > FLAC
02/03/68 Crystal Ballroom 1 SBD> (4 Track) Master Reels>DAT (44.1k)>Sound Devices 744T>Adobe Audition v1.5>Samplitude Professional v10.2 > FLAC
02/14/68 Carousel Ballroom 2 Now is Road Trips vol 2.2
03/03/68 Haight Street 1
03/16/68 Carousel Ballroom 2
03/26/68 MelodyLand Theater 1 AUD>MR>D>PCM>D>CD>EAC>SHN
03/29/68 Carousel Ballroom 1 AUD > ?? > CDR
03/30/68 Carousel Ballroom 2 Disc 2 could be from another show (there is a Lovelight on disc 1 & disc 2) but has always circulated with disc 1; AUD>MR>D>PCM>D>CD>EAC>SHN
03/31/68 Carousel Ballroom 1 AUD>MR>D>PCM>D>CD>EAC>SHN
05/??/68 Unknown 1 SBD 7'MR @7.5ips>DAT>CDR
05/18/68a County Fairgrounds 1 AUD; Jorma's Stage Mics. Filler on 11/22/68 CD II
06/14/68b Fillmore East 1 AUD>MC>R>R>PCM>CD>EAC>SHN
06/19/68 CarouselBallroom 2 AUD
08/21/68 Fillmore West 2 SDB>MR>C>D>CD>EAC>SHN
08/22/68 Fillmore West 2 SBD
08/23/68 Shrine 2 SBD
08/28/68 Avalon Ballroom 1 SBD>??>R>PCM>CD>EAC>SHN
09/02/68 Betty Nelson's 1 SBD
09/20/68 Berkeley Community Theater 1 SBD>MR>cassette(s)>DAT(s)>CDR(s)> SHN's
10/08/68 Matrix 3 Mickey & The Heartbeats; SBD MR->Reel (x2?)->CDR
10/09/68 Matrix 3 Mickey & The Heartbeats; SBD MR->Reel (x2?)->CDR
10/10/68 Matrix 3 Mickey & The Heartbeats; SBD MR->Reel (x2?)->CDR
10/12/68 Avalon 1 SBD
10/13/68 Avalon 1 SBD
10/20/68 Greek Theater 1 MSC > ? > SS > CDR (noiseless upgrade)
10/30/68 Matrix 3 Mickey & The Heartbeats SBD>?>DAT>ZA2>WAV>SF>SHN>CD
11/01/68 Silver Dollar 1 SBD>MSR>C>DAT>CDR. Conversion: CDR > EAC(secure) > CDWav(retracking) > mkwact(seekable)
11/22/68 Veterans Hall 1 Some cuts...very rare
12/??/68 Alembic Studios 1 Studio sesions with T.C. concl. on 7/31/73
12/20/68 Shrine Auditorium 1 MC>C>D>CD
12/07/68 Bellrmine College 1 SBD
12/16/68 Matrix 2 Mickey & The Heartbeats; SBD MR->Reel (x2?)->CDR
12/21/68 Shrine Auditori 1 SBD MC>C>D>CD
12/24/68 Matrix 2 SBD - Jerry, Steve Miller, Harvey Mandel band filler is 10/31/67
12/24/68 The Matrix, S.F., CA 2 New lower gen copy; 1st generation reel to reel > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac
12/29/68 Gulfstream Park 1 SBD
??/??/69 GD Home Recording 1 Portable recorder and cheap mic.
01/17/69 Santa Barbara 1 MSR>Cass>DAT>CDR
01/24/69 Avalon Ballroom 1 MSR>C>DAT>CD
01/25/69 Avalon Ballroom 2 MSR>C>DAT>CD
01/26/69 Avalon Ballroom 1 MSR>C>DAT>CDR
02/04/69 Omaha, NB 2 MSR>C>DAT>CDR
02/05/69 Kansas City, Kansas 1 SBD>MC>C>D>CD>EAC>SHN - missing Lovelight
02/12/69b Fillmore East DAT FILL SBD MR>DAT; DAT Fill on 12/26/69 II
02/15/69 Electric Factory 3 MSR>Cass>DAT>CDR
02/21 & 22/69 Dream Bowl 3 SBD MR>Cass>DAT>CDR
02/27/69 Fillmore West 2 SBD MR>DAT>CD-R
02/28/69 Fillmore West 3 SBD
03/02/69 Fillmore West 3 SBD MR>Cas>DAT>CDR
03/15/69 Hilton Hotel 1 SBD MR>Cass>CDR (?)
04/05/69 Avalon Ballroom 2 SBD MR (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat; Transfer Info:Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
04/11/69 U OF AZ, Tuscon 1 SBD MR>CAss>DAT>CDR
04/15/69 Omaha, Nebraska 2 Complete show; Smokin' hot, excellent quality
04/18/69 Purdue 2 MSC>Cass.>DAT>CDR
04/20/69 Worcester, MA 1 MSC>C>DAT>CDR>EAC>SHN>CDR
04/21/69 The Ark 3 SBD MR>?>CDR
04/22/69 The Ark 3 SBD MR>?>CDR
04/23/69 The Ark 3 SBD>Master Reel>Cassette>Dat> CD
04/23/69 The Ark 1 New Source! Just Friend Of Mine through Cryptical// 1st Gen Cass>tascam mkII>Korg MR1000 at 1bit/5.6mHZ>Korg Audio Gate Software>32 bit float/192kHz>Wavelab 6.1 for fades, blank tape removal, and slight channel adjustment>Weiss-Saracon for 24 bit fixed/196kHz Pow-r3 Dither
04/26/69 Electric Theater 3 SBD MR>?>CDR
05/03/69b Winterland FILL Reel>PCM>Dat>Tascam DA20> Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn; filler on 7/19/90 III
05/10/69 Rose Palace 1 SBD
05/16/69 Campolindo High School 1 Easily worst show of '69; SBD MR>Cass>DAT>CD-R
05/24/69 West Hollywood 2 MSR:?:D:CD
05/31/69 Eugene, OR 2 MSR>Cass>DAT>CD>SHN>CD
06/05/69 Fillmore West 2 MSR->Casss->DAT->CD
06/07/69 Fillmore West 2 SBD>?>CDR 2 sources. Lovelight w/Janis
06/08/69 Fillmore West 2 Master SBD VCass->Cass->DAT->CD-R
06/14/69 Monterey 2 Nice Lovelight Sandwich
06/21/69a Fillmore East 1 Unknown Gen AUD, Nice show...
06/21/69b Fillmore East 2 SBD>MC (Bear's)>C (Dick's)>DAT>CDR
06/27/69 Santa Rosa 2 SBD MR>Cass>DAT>CDR
06/28/69 Santa Rosa 1 MSR (7" @7.5ips)>Cass>DAT>CDR; missing the last 20 seconds of Lovelight
07/07/69 Piedmont Park,GA 2 MSC>Cass>DAT>CD
08/02/69 Family Dog, SF, CA 1 SBD>MC>DAT>FLAC>DAW(Bertha)>Audio DVD
08/03/69 Family Dog, SF, CA 2 Recording Info: SBD -> Cassette Master -> DAT; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
08/16/69 Woodstock 1 SBD MR>??>DAT>CDR
08/23/69 Pelletier Farm 2 SBD>MC (Bear's)>Dick's C>DAT>CDR
08/29/69 Family Dog,CA 2 SBD MR>Cass>DAT>CD>SHN>CDR
08/30/69 Family Dog,CA 2 SBD>MR>Cass 1x>DAT>CD
09/01/69 Baton Rouge, LA 2 SBD>MC>DAT>CDR>EAC>SHN; New Orleans Pop Festival
09/07/69 Family Dog 1 Pre-FM DHH GD w/members of JA - 50's songs
09/29/69 Cafe Au Go-Go 1 A:?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > Diamond Cut Noise Reduction > CD
09/30/69 Cafe Au Go Go 1 A:?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD
10/25/69 Winterland 1 SBD>MR>DAT>SONICSOLUTIONS>CDA
10/26/69 Winterland DAT Fill SBC>MR>DAT>Sonic Solutions>CDR>SHN>CDR; on 12/26/69 I
10/31/69 Fillmore 1 SBD>MC>C>D>CD>SHN; Concl on It's A Beautiful day
11/02/69 Family Dog 1 SBD MR>Cass>Turtle Beach "Fiji">SHNMidnight - D.S-Death Don't (ATC)
11/08/69 Fillmore Aud. 2 MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD
11/15/69 Lanai Theater 2 Bear's MSC > PCM > CDR
12/10/69 Thelma Theater 2 MSR>Cass>DAT>CD; Steven Stills sits in
12/11/69 Thelma Theater 3 SBD MR>Beta>CDR
12/12/69 Thelma Theater 3 SBD MR>Reel>DAT>CDR>EAC> WAV>SHN>CDR
12/19/69 Fillmore West 2 MSR (7"@7.5ips)>Cass>DAT>CDR
12/26/69 S.M.U. 2 MSR>Cass>DAT>CDR
12/29/69 Boston Tea Party 1 SBD MR (7"@7/5 ips)>DAT>CDR
12/30/69 Boston Tea Party 3 SBD MR>??>DAT>CDR
12/31/69 Boston Tea Party 3 SBD MR>Cass>DAT>Cass>DAT>CDR>EAC>Cool Edit 2000>CDR
xx/xx/70 Workingman's Dead Outs 1 SBD MR>?>Cass>S.F.>CDR
01/02/70a&b Fillmore East 3 SBD MR>?DAT>CDR
01/03/70a&b Fillmore East 3 SBD MR>?>CDR
01/10/70 Golden Hall 2 MSR>R>DAT>CDR
01/16/70 Springer's Inn 2 MSR>DAT>CDR
01/17/70 OR State University 2 MSR>DAT>CDR
01/23/70 Honolulu 2 SBD MC>DAT>PCM-WAV>SHN
01/24/70 Honolulu 1 SBD MC>DAT>CD
01/30/70 Warehouse 2 MSR>?>CDR; Busted down in New Orleans...
01/31/70 Warehouse 2 SBD>MR>C>D>CD>EAC>SHN
02/01/70 Warehouse 2 MSR>C>DAT>CD
02/02/70 Fox Theater 2 SBD>MR>R>R>PCM>DAT>CDR>EAC>SHN
02/04/70 S.F. Family Dog 1 MSR>C>D>CD
02/05/70 Fillmore West 1 MSR>Cass>DAT>CDR
02/06/70 Fillmore West 2 SBD>MR>C>D>CD
02/07/70 Fillmore West 2 SBD MR>C>D>CD + AUD MC>4C>CD patches
02/08/70 Fillmore West 2 MSR>Cass>DAT>CDR
02/11/70 Fillmore East 2 SBD>MR>DAT>CD-R
02/13/70a Fillmore East 1 SBD>RTR>GANS>CD-R
02/14/70a Fillmore East 1 SBD>RTR>GANS>CD-R
02/14/70b Fillmore East 3 SBD->RTR->DAT->CD-R
02/23/70 Austin, TX 2 SBD>MR>C>DAT>CDR
02/28/70 Family Dog 2 MSR>Cass.>DAT>CDR
03/01/70 Family Dog 2 MSR>DAT>CDR
03/08/70 Santa Monica 2 SBD MR>DAT>CDR
03/20/70 Port Chester 2 ATC In SBD...H2H-AWBYG
03/21/70a Port Chester 1 Electric set MAR->Cass->DAT->CDR
03/21/70b Port Chester 1 Acoustic & electric sets MAR->Cass->DAT->CDR
04/02/70 Ride The Music (Family Dog?) 2 With Santana & QSM
04/03/70 U. OF Cincinatti 2 "Debbie Reels" MSR>Cass>Reel>CDR
04/15/70 Winterland 1 MSR>Cass>DAT>CDR
04/24/70 Mammoth Gardens, Denver 2 MAR>Reel>DAT>Cool Edit Pro>CDR (From Gergard S' first gen reels)
05/01/70 Alfred College 1 Accoustic Set + NFA, H2H, Cryptical->Drums->O1// (about 25 seconds)
05/02/70 Harpur College 1 Bootleg CD "Elektrik Almank" Has The Cold Rain & Snow not on DP...Also have NRPS set
05/06/70 Kresge Plaza 2 Unedited Master reel (1/2 track mono)->20 bit/Sony SBM2->CD-R Mastered By David Gans
05/07/70 Cambridge, MA 4 AUD MC>?>7" Reel>DAT>HD>SHN>CD, some is MC>C>DAT>HD>SHN>CD, also NRPS set (with Weir)
06/04/70 Fillmore West 1 Set IIp SBD MR>Cass>?>DAT>CDR
05/14/70 Merramac College 3 Set I (accoustic) SBD of unk provenance; Set II (electric) SBD MR> Cass.> DAT> CDR
06/05/70 Fillmore West 2 SBD MR>Cas>DAT>CDR
06/06/70 Fillmore West 3 SBD MR>Cass>DAT>CDR>SS>CDR
06/07/70 Fillmore West 3 SBD MR>Cass>DAT>CDR>SS>CDR
06/24/70b Port Chester 1 Electric set MAR>Cass>DAT>CDR
06/24/70a & b Port Chester 5 Both GD & NRPS sets. Sony TC124 with unknown Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette was baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Noise Reduction by Peter G. Audio extraction via Peak 3.2.1 on a G4 Titanium Powerbook, Flac'd with xACT V 1.2 and seeded by BoldCaptain via BitTorrent 3.2.2a.
05/15/70 Fillmore East 5 SBD>MR>DAT>CDR
07/14/70 Euphoria Ballroom 2 SBD MR>Cass>DAT>CDR with Lovelight
07/16/70 Euphoria Ballroom 2 SBD>?>CDR
07/30/70 Matrix 1 SBD>??>CD>EAC>SHN
08/05/70 San Diego 1 SBD MR>Beta>CDR
08/19/70 Fillmore West 2 Complete show; Sony TC-124 with Sony Stereo Mic - Accoustic set from master, electric set from 1st gen
08/30/70 KQED Studios, SF, CA 1 DVD
09/17/70 Fillmore East 2 AUD MR->Cass->DAT->CD-R pretty good qual for '70 AUD
09/18/70 Fillmore East 1 Operator - AWBYG; Crypt through Man's World AUD filler on Tuna X/X/70
09/19/70 Fillmore East 1 ATC in SBD
09/19/70 Fillmore East 3 Complete including NRPS set except for a part of the acoustic set; Source One: Master audience cassette (Taped by Jack Toner, Sony TC-110 with built-in microphone)>reel>cassette>CD>Samsung SW-232B extraction (EAC v0.9 beta 4)>tracking (CD Wave)>sector boundary verification (shntool v1.01)>Flac encoding; Source two: Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L)>Technics 1506 playback>Cardas audiophile cables>HHB CDR 800 master CD>CD>Samsung SW-232B extraction (EAC v0.9 beta 4)>tracking (CD Wave)>sector boundary verification (shntool v1.01)>Flac encoding
09/20/70 Fillmore East 3 SBD>MR>DAT>CDR
10/04/70 Winterland 1 FMS>MR>CD
10/10/70 Queens College, NYC 2 AUD>? -from a lowish gen cass (less than five)
10/11/70 Patterson State College 2 AUD MR->?->CD-R
10/23/70 Georgetown Univ. 2 AUD Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe
10/24/70 St. Louis 2 SBD MR>DAT>CD
10/30/70a&b Stoneybrook 3 SBD>CSM>DAT>CD-R
10/31/70a&b Stoneybrook 3 SBD>CSM>DAT>CD-R
11/05/70 Port Chester 2 MAC>Cass>DAT>CDR
11/06/70a&bPort Chester 3 MAC>C>DAT>CDR
11/07/70 Port Chester 1 Elec. set II (ATC in this source) uher reel w/akg d190e mics>7" reel @ 3.75 ips, dolby b (Jerry Moore's copy)>technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac
11/08/70 Port Chester 3 AUD MR>C>D>CD, from Marty Weinberg's master, recorded from the front of the balcony with a Uher 7" reel-to-reel machine
11/21/70 WBCN Studios, Boston 1 Jerry, Bobby & Duane Allman (acoustic); FM source - upgrade from old copy
12/12/70 Santa Rosa Fairgrounds 2 SBD MR>DA>CDR
12/17/70 Winterland (?) 1 SBD>Master Reel>Cassette?>Cassette>CoolEdit>Flac
12/23/70 Winterland 1 SBD>MR>R>DAT>CDR
12/27/70 Legion Hall 2 MSR>C>D>CD
12/28/70 Legion Hall 2 AUD>??>CDR; Very clean AUD
12/31/70 Winterland 2 SBD>Cass>DAT (44.1)>CD-R (via DAT port)
12/31/70 Winterland 1 Pre-FM SBD of GDH>CDR
12/31/70 Winterland 1 SBD MR>DAT>CDR; POST-SHOW JAM; GREAT stuff;
01/24/71 Seattle Center 2 mislisted as 1/25 on some sites
02/18/71 Port Chester 2 BBD>RR>PCM>DAT>CDR
02/19/71 Port Chester 3 BBD>RR>PCM>DAT>CDR
02/20/71 Port Chester 3 BBD>RR>PCM>DAT>CDR
02/21/71 Port Chester 1 BBD>RR>PCM>DAT>CDR; Set I only
02/23/71 Port Chester 3 BBD>RR>PCM>DAT>CD-R
03/14/71 U Of WI, Milwaukee 2 SBD>MR>DAT>CD Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3
03/20/71 Univ. of Iowa 2 SBD>?>CDR
03/24/71 Winterland Arena 2 SBD> Master Reel (7.5ips 1/4 Track)>Master Dat (48k); Transfer Info: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional>FLAC
04/04/71 Manhattan Center 2 MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
04/05/71 Manhattan Center 3 BBD>PCM>DAT>CD-R
04/06/71 Manhattan Center 2 BBD>PCM>DAT>CD-R
04/10/71 Franklin & Marshall College 2 MSR>?>DAT>CDR
04/13/71 Scranton, PA 1 MSR>DAT>CDR; nice
04/17/71 Princeton University 2 MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer: R3>Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav
04/21/71 R.I. Auditorium 2 MSR>?>DAT>CDR
04/25/71 Fillmore East 3 SBD>MR>CD
04/26/71 Fillmore East 2 SBD>?>CDR
04/27/71 Fillmore East 3 SBD>?>CD-R; Also have NRPS set
04/28/71 Fillmore East 3 SBD>?>CD-R
04/29/71 Filmore East 3 SBD>MR>CDR>CDR>SHN Also have NRPS set
06/21/71 Herouville, FR 2 SBD>?>CD-R
07/02/71 Fillmore West 3 FM MR>DAT>CDR
07/31/71 Yale Bowl 3 I: AudMR>CD>EAC>WAV>SHN;II: AudMR>C>DAT>CD>EAC>WAV>SHN
08/04/71 San Pedro, CA 2 SBD>MR>CD-R; Terminal Island Correctional Facility
08/06/71 Hollywood Palladium 2 AUD(FOB)>REEL>DAT>CDR
08/14/71 Berkeley 2 SBD>RTR>DAT (44.1)>CDR (Remastered at Serafin Studio B)
08/15/71 Berkeley 2 SBD>RTR>DAT (44.1)>CDR (Remastered at Serafin Studio B)
08/21/71 Mickey Hart's Barn 2 SBD>?>CD-R Jerry, Mickey, Phil, Bobby, Crosby, Cippolina, Hopkins, Saunders R>Cass>DAT>CDR
10/19/71 U Of MN, Minn, MN 3 Pre-Fm SBD>Reels>CD
10/21/71 Chi. Aud. Theater 2 SBD MR>Cass>DAT>CDR
10/29/71 Cleveland, OH 2 SBD (7inch Master Reels@7.5ips 1/2trk)>Cass (Tascam 122mkIII)>DAT(3800/48k)> RME Hammerfall Digiface>Sharp MV10>Samplitude v7.02 Professional> SHN
10/31/71 Taft Theater, OH 1 DP 2 outs; SBD>MR>DAT>CDR
11/14/71 Fort Worth, TX 2 SBD>Master Reel (10 inch)>CD>Sonic Solutions>CD>EAC>SHN
11/15/71 Austin Mun. Aud. 1 (mix) Big Jam Tree; R2R>Sonic>CD-R
12/05/71 Felt Forum 3 Pre-FM>MR>DAT>CD
12/14/71 Ann Arbor 3 MSR>Cass>DAT>CD
12/31/71 Winterland 3 FMS>MR>Rx?>DAT>CDR
01/02/72 Winterland, SF,CA 2 SBD>Master Reel>Reel>CD>Sonic Solutions Workstation>CD
03/21/72 Academy Of Music 2 SBD>MR>DAT>CDR
03/22/72 Academy Of Music 1 Partial (ATC): Just PITB and Caution Unk lineage, excellent quality aud for '72
03/23/72 Academy Of Music 1 Set II - BBD MR>DAT>CDR
03/23/72 Academy Of Music 3 SBD MR>Apogee AD500>DAT(48k); Transfer: DAT (Sony D8)>Samplitude Professional v9.11> FLAC
03/25/72 Academy Of Music 2 Set one featuring Bo Diddley; various AUD sources; unknown, most low.
03/26/72 Academy Of Music 1 Set I through PITB// - AUD C/3>SoundForge>CDR
03/27/72 Academy Of Music 3 AUD C/?>SoundForge>CDR
03/28/72 Academy Of Music 3 AUD C/5 > SoundForge > CDR
04/07/72 Wembley Empire Pool 3 AUD MR>C>D>CD + patch
04/08/72 Empire Pool 3 Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN
04/11/72 Newcastle, EN 3 MSR>Cass(Reel?)>Cass>CDR; Debbie Reel
04/14/72 Tivoli Concert 4 MSR>Cassette>DATs>CDRs>EAC>SHN>CDR
04/16/72 Aarhus, DK 2 Likely partial - SBD MR>DAT>CD
04/17/72 Tivoli 3 SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>CD Wave Editor>
04/17/72 Tivoli 1 DVD - very fine quality Pro-Shot from a TV broadcast
04/21/72 Beat Club (Bremen, FRG) 1 SBD>FM>MR>PCM>DAT>CDR - Conversion: CDR>EAC(secure)>Cool Edit (minor cleanup)>mkwact(seekable)>CDR
04/24/72 Dusseldorf 2 d1t1-11, d2t1,2,5-8 and d3t6-8 are AUD, remainder SBD AUD:RM>C>DAT>CD; SBD:RM>C>DAT>CD
04/26/72 Hundred Year Hall 1 Hundred Year Hall outtakes SBD MR>DAT>CDR
05/03/72 Olympia Theater 3 SBD>multitrack 2" MR>rough mix by J. Norman/D.Latvala>DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note: "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel)
05/04/72 Olympia Theater 3 SBD MR>DAT>CDR - Honeymoon tape
05/07/72 Wigan, Enland 2 Partial Set 2: 7" Betty Board Reel>PCM501ES(beta)>DAT>WAV/SHN
05/10/72 Amsterdam 3 SBD>MR>C>DAT>CDR
05/11/72 Rotterdam 3 10" MR@7.5ips->DAT>CDR>EAC>SHN>CDR
05/13/72 Lille, France 3 MSR>Cass (Reel?)>Reel>CDR Debbie Reels
05/16/72 Luxembourg 2 Complete (?) SBD>MR>C>DAT>CDR
05/18/72 Munich 3 SBD MR>?>DAT>CDR
05/23/72 Strand Lyceum 4 SBD MR>Reel>DAT>CDR
05/24/72 Strand Lyceum 2 All (?) AUD: mono crappy Pye cassette recorder with hand-held mike>Ampex R2R>CD-R>EAC>CEP>CDWAV>shn>CDR
05/25/72 Strand Lyceum 1 Partial - SBD MR>2 cass. gens>DAT>CDR>EAC>SHN>CDR; Dick cass leak
05/26/72 Strand-Lyceum 4 SBD MR>DAT>CDR
xx/xx/72 Old World Shuffle 1 Compilation of Pigpen songs from Europe '72 tour
06/17/72 Hollywood Bowl 2 Unk aud Set I & IIp Pigs last show
07/16/72 Dillon Stadium 3 SBD MR>DAT>CDR; Parts of set I are from unk. aud
07/18/72 Roosevelt Stadium 4 MSR>Cass>DAT>CD
08/24/72 Berkeley 3 SBD MR>??>CDR
08/25/72 Berkeley Comm. Theater 1 DVD-A SBD>MR>DAT>FLAC>DAW(Bertha)>DVD-A
08/27/72 Veneta 3 SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN; in between song banter replaced from original reels
08/27/72 Veneta 3 Not BBD source, but from film crew 2 track master; SBD>two-track MR>DAT>Sonic Solutions>CDR>EAC>Sound Forge Edit (analog pop removal using pencil tool)->Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents)
08/27/72 Veneta 3 Sunshine Daydream DVD, from second gen source!
09/03/72 Boulder CO 3 SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3)
09/09/72 Hollywood Palladium 4 SBD MR>DAT>CDR>SHN
09/10/72 Hollywood Palladium 3 SBD MR>Cass>DAT>CDR
09/15/72 Boston Music Hall 3 AUD MC>Reel>Cass>DAT>CDR; Recorded by Bill Degen from balcony front row; Source 2: Lower quality (hissier) aud (source unknown) MAC > ? > DAT (supplied by Dave Minor) > CD provides Promised Land through Playin' in the Band, first few seconds of Casey Jones, He's Gone, first few seconds of MAMU, first few seconds of Bird Song, Mexicali Blues, first few seconds of ROR, 0:05-0:07 of Drums, 11:08-11:30 of TOO, first few seconds of Sugar Mag
09/16/72 Boston Music Hall 2 MSR>Cass>DAT>CD; Playin' & 2nd Set
09/17/72 Baltimore Civic Center 3 Master Reel>Cassette>CD
09/21/72 Philly Spectrum 4 SBD MR>DAT>FLAC>CD-R
09/23/72 Palace Theater (CT) 3 SBD>MR>Cass>DAT>CDR>EAC>SHN
09/26/72 Stanley Theater 3
09/28/72 Stanley Theater 3 SBD MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC
10/02/72 Springfield Civic Ctr 4 SBD Filler CD (#4) is ??/??/68...
10/17/72 Fox Theater 3 MSR>Cass>DAT>CDR>EAC>SHN>CDR
10/18/72 Fox Theater 3 SBD>MR>DAT>FLAC FILLER: D.S.>Sugar Mags
10/23/72 Milwaukee, WI 3 Recording Info:
Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes)
Transfer Info:
Cassette Master (Nakamichi Dragon) -> Dat -> CD
Mastering Info:
CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
10/28/72 Cleveland Pub Hall SBD 3 MSC>DAT>CDR
12/15/72 Long Beach Arena SBD 3 SBD MR>Cass>DAT>CDR
11/24/72 Dallas Mem Aud SBD 3 SBD MR>Cass>DAT>CDR
12/10/72 Winterland SBD 3 SBD > MR >Cass > CDR
12/11/72 Winterland SBD 3 SBD > MR > ?? > CDR
12/12/72 Winterland SBD 2 SBD : MR > ? > DAT > CDR > EAC (secure mode, test and copy) > SHN; AUD (patches) : MC > DAT > ZA2 > CDR > EAC (secure mode, test and copy) > SHN; Most of Set I Missing; Encore listed in both DeadBase X and DeadLists show the encore to consist of Johnny B. Goode only. The authenticity of the encore on this disc is thus in question.
Johnny B. Goode begins immediately after last drum beat of UJB and may be a separate song, rather than a continuation of UJB.
12/15/72 Winterland SBD 3 SMR>CASS>PCM>DAT>CD
12/31/72 Winterland FMS 3 FM>Reels>DAT>CD-R (via DAT Port); also have NRPS & Yogi Phlegm opener
xx/xx/73 Wake of The Flood Outs STUDIO 1 SBD MR>PCM>DAT>Delta Dio>SHN>CDR
02/09/73 Palo Alto SBD 3
02/15/73 Milwaukee SBD 3 MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; Grate fu**in' Show!!!
02/19/73 Chicago, IL SBD 3 SBD : MC > C > DAT > SS > CDR > EAC > SHN
02/21/73 Assembly Hall, U. of IL SBD 2 SBD MR>DAT>Cass>DAT>ZA2>CD
02/22/73 Assembly Hall, U. of IL SBD 2 SBD MR>DAT>Cass>DAT>ZA2>CD
02/24/73 Iowa City, IA SBD 1 SBD>?>GDH CD>SHN
02/26/73 Lincoln, NB SBD 3
02/28/73 Salt Lake City, UT SBD 3 Source One: SBDMR > ? > C > DAT > WAV > SHN (set I and II through Promised Land); Source Two: SBDMR > R > C > CD > EAC > SHN (set II //Nobody's Jam >>> end)
03/09/73 Pig Demos SBD Filler Filler on the '66 Pig demos; Pigpen's last recordings
03/15/73 Nasau Colesium AUD 1 AUD MC>?>DAT>CD; set 1 minus PITB.
03/15/73 Nassau Coliseum SBD/AUD 3 source 1: AUD>??>CD>EAC>SHN
source 2: SBD>MR>C>D>CD>EAC>SHN; The SBD source provides Playin' and Sugaree through China Doll (just under half of the show)
03/16/73 Nasssau Coliseum SBD/AUD 3 Set 1: Betty MSR > PCM > DAT > CD; Set 2: MSR > Reel > DAT > CD
03/19/73 Nassau Colesium SBD 2 Partial; SBD:MR>Cas>Cas>DAT>CD
03/22/73 Utica, NY SBD 3 MSR>DATs>CDRx1>EAC>SHN>CDR
03/24/73 Philly Spectrum BBD 2 BBD MR>PCM>PCM>DAT>Serafin Studios>CDR; sound problems due to water/mold damage to master reels (mostly on disc I)
03/24/73 Philly Spectrum SBD 3 SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
03/26/73 Baltimore Civic Ctr SBD 4 SBD MR>DAT>CDR
03/28/73 Springfield, MA SBD 2 SBD>Master Reel>DAT (44.1k)
03/31/73 Buffalo, NY SBD 1 (2p) SBD>R>D>D>CD>SHN>CD
03/31/73 Buffalo, NY SBD 1 DVD-A; Bertha Remaster
04/02/73 Boston Garden BBD 3
04/15/73 San Francisco SBD 2 Jer, Phil, Ned, et.al.; SBD MC>Beta>CDR
05/13/73 Des Moines SBD 4 First 3 discs upgrade of old source
05/20/73 U.C.S.B AUD 4 MC>R>C>DAT>HD>SHN>CD
05/26/73 Kezar Stadium SBD 4
06/09/73 RFK Stadium SBD 2 Set IIp
06/10/73 RFK Stadium SBD 4 Great Show!
06/22/73 PNE Colesium SBD 4 MSR>PCM>DAT>CDR>EAC>SHN>CDR; Aud patches in O1, Casey Jones & complete JBG
06/26/73 Seattle Center AUD 4 AUDMC (FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Reel (@7-1/2ips) - transfered by taper> Reel > DAT > WAV > SHN; Taped by Donn Amick, transfered to digitial by Noah Weiner; Reel playback on Pioneer RT-701 > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O >Soundforge (wav edits and track IDs) > SHNTOOL (SBE fix) > MKW (shn)
06/26/73 Seattle Center SBD 2 IIp (missing Black Peter)MSR>Cass>DAT>CDR
06/30/73 Universal Amp AUD 3 AMR>Reel>DAT>WAV>SHN; Reel labeled: through the Debbie connection: P.A. Harmon Kardon; probably recorded from the soundboard.
07/01/73 Universal Amp, UC, CA AUD 2 Sony ec M22P mics>Sony 770 MR>R1>DAT>CDR
07/27/73 Watkins Soundcheck SBD 2
07/28/73 Watkins Glen SBD/AUD 4 Nicely cleaned up!
07/31/73 Roosevelt Stadium AUD 3 Sony ECM-33P5->Sony TC 126->Cass->DAT->CDR; Recorded by Barry Glassberg & Jerry Moore
08/01/73 Roosevelt Stadium SBD 1 (mix) Big Jam Tree; R2R>Sonic>CD-R
09/07/73 Nassau Vet Mem Col AUD 3 AUDMC > DAT > CD > EAC > SHN; Recorded by Jerry Moore standing at the middle of the main floor, general admission, no seats with an AKG 1000 mic on the end of a Atlas mic stand 4 to 5 feet in the air onto a Sony 110 deck with automatic level control, no Dolby; Transfer: TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC(secure) > mkwact (SHN)
09/11/73 College Of WM & Mary SBD 3 MSR>Cass>DAT>CDR
09/15/73 Providence Civic Ctr SBD 2 SET II
09/17/73 Onondaga Cty War Mem SBD 3 MR>DAT>CDR
09/20/73 Philly Stadium SBD 1 SBD MR>Reel>PCM>DAT>CDR; partial
09/21/73 Philly Spectrum SBD 3 SBD MR>Reel>PCM>DAT>CDR
09/26/73 Bufallo War Mem SBD 3
10/23/73 Bloomington, IL SBD 1 Set IIp only; MSR>DAT>CDR
10/25/73 Dane Cty Col. SBD 2 Set II only
10/29/73 Kiel Auditorium SBD 3 SBD MR>Cassss>DAT>CDR>EAC>SHN>CDR
11/01/73 N.W. Univ SBD 3 MSR>Cass.>DAT>PCM>DAT>CDR
11/09/73 Winterland SBD 3 SBD>MR>C>DAT>CDR
11/11/73 WInterland SBD 3 SBD MR>Cass(x2)>DAT>CD>EAC>SHN>CD D.S.->China Doll, one less cas. gen.
11/14/73 San Diego SBD 3
11/17/73 Pauley Pav, L.A. SBD 3 SBD>MR>C>DAT>CDR>EAC>SHN>CDR
11/20/73 Denver Coliseum SBD 3 SBD MR>DAT>CD>EAC>SHN>CD
11/21/73 Denver Coliseum SBD 3 MSR>DAT>CDR
11/23/73 El Paso, TX SBD 3 SBD > Reel > Cassette > Datx2 > CDR
11/25/73 Feyline Field SBD 3 MSR>Cass>DATs>CDRs>EAC>SHN>CDR
12/04/73 Cincinatti, OH SBD 1 Set I only; Recording Info:
SBD -> Master Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; NOT FOR TRADE
12/04/73 Cincinnati, OH SBD 3
12/06/73 Cleveland SBD 3 S:MR > cassette > DAT > CD > EAC > SHN
12/08/73 Duke University SBD 4 SBD>MR>CASS>DAT>CDR>EAC>SHN>CD
12/10/73 Charlotte SBD P with 12/4/73; SBD MC>Beta>CDR (only: KC, OMSN)
12/18/73 Curtis Hixon SBD 3 SBD>CSM>DAT>CDR
12/19/73 Curtis Hixon SBD 1 SBD>CSM>DAT>CDR DP 1 outs
12/19/73 Curtis Hixon SBD 3 Complete show, not DP 1 source; SBD>Master Reel>DAT (44.1k)>> Sound Devices 744T> Samplitude Professional v10.2> FLAC
12/31/73 Cow Palace FMS 4 Allman Bros show, Jerry & Billy sit in for last half of show
xx/xx/74 Mars Hotel rehearsals STUDIO 1 SBD>??>CDR Demos too
xx/xx/74 Mars Hotel Outs STUDIO 1 SBD>??>CDR
02/22/74 Winterland SBD 3
02/23/74 Winterland SBD 3 SBD>Reel>PCM>DAT>CD>EAC>SHN
02/24/74 Winterland SBD 4 SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHN; CD Mastered by Jay Serafin
03/23/74 Cow Palace SBD 3 SBD MR>DAT>CDR>EAC>SHN>CDR; Audience source supplies patch in "Morning Dew" from 0:21 thru 0:43, as well as the patch in "Sugar Magnolia" from 6:57 thru 7:22
05/12/74 U. OF NV SBD 3 SBD MR>Cass>DAT>CDR
05/14/74 Missoula SBD 3 SBD MR>Cass>DAT>CDR
05/17/74 PNE Col SBD 3 SBD MR>Cass>DAT>CDR
05/19/74 Portland Mem Col SBD 3 SBD MR>Cass>DAT>CDR
05/21/74 U. Of WA, Seattle SBD 3 SBD MR>Cass>DAT>CDR/Also have AUD
05/25/74 Santa Barbara SBD 3
06/08/74 Oakland Col. Stadium SBD?AUD mix 3 Master Audience Reel > Reel to Reel > PCM > DAT; Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World
06/16/74 Des Moines State Fair SBD 4 SBD MR>DAT>CD-R
06/18/74 Freedom Hall SBD 3 SBD MR>DAT>CDR
06/20/74 Atlanta SBD 1 Master 7 inch, 2 track Soundboard Reel > Cassette > DAT > CDR; Just Big River to OMSN
06/23/74 Jai Alai Fronton SBD 3 SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card >Samplitude 2496 > Plextor 820 burner > CDRx1 > EAC > SHN Missing parts of the SBD supplied by: AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496>CDRx1>EAC>SHN (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)** SBD >?>DAT(n) >Prodif Plus > Samp2496>CDRx1>EAC>SHN Sound processing: SBD source: Denoise, 6db reduction AUD source: Dehum, Denoise, Timestretched to match SBD speed Alternate SBD: Timestretched to match SBD speed The AUD source is probably the one mentioned in Taper's Compendium Vol. 1: Jerry Moore & Les Kippel , AKG D-200 mikes > Sony 152 deck.
AudMC > WAV > CD > EAC > SHN
06/26/74 Providence Civic Center AUD 4 AUD MC - Recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic; Sony 152 deck (Maxell UD-120 cassettes, with Dolby B ON)>
Master Cassettes played back on Nak Dragon > ART DI/O > HD > Cool Edit 2000 > Feurio (CD)
06/26/74 DP outs SBD 2 Set 1 p
06/30/74 Springfield Civic Center AUD 4 Aud MC (2 hand held AKG D-1000E mics); Sony 152 deck; 1st level off floor, audience right, roughly center court; Maxell UD-120 cassettes, with Dolby B ON) >Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Sound Forge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn)
07/19/74 Fresno SBD 3 SBD>Master Reel>Cassette(1)>DAT@44.1K>DAT>WAV>Soundforge 4.0>CDWAV>SHN
07/25/74 Int'l Amp. SBD 2 SBD MR>>DAT>CDR
07/31/74 Dillon Stadium SBD 3 SBDMR>DATx>CD>DAT>CD>EAC>SHN
08/05/74 Civic Aud. Phila. SBD 3 SBD>MR>C(2)>DAT>CD
08/06/74 Roosevelt Stadium SBD 4 MR>DAT>CD>Sonic Solutions>CD
08/06/74 Roosevelt Stadium AUD 4 Master AUD Reels>Reels 1x>DAT>Sound Forge>SHN>CD; Audience Devotional Tree - Round 2
09/11/74 Alexandra Palace SBD 3 SBD MR>DAT>CDR>EAC>SHN>CDR; AUD patches in Scarlet, Sugar Mags, Phil & Ned (11:39 of Phil & Ned and a bit of Seastoness) AUD MC>Cass>Cass>CDR>EAC>patch
09/14/74 Olympiahalle, Munich AUD 3 AUD MR>DAT>CDR>EAC>HD>Cool Edit 2000 (hiss removal & light re-master)>SHN; new version without extra analog gens and all "dead air" left intact.
09/14/74 Olympiahalle, Munich SBD 3 Recording Info: SBD -> Master Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
09/18/74 Dijon SBD 3 SBD MR>DAT>CDR
09/20/74 Paris SBD 3 SBD MR>Reel>DAT>CD>SoundForge>CD
09/21/74 Paris, France SBD 3 Recording Info: SBD -> Master Reel -> Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
10/16/74 Winterland SBD 4 SBD MR>R>Cass>DAT>CDR>EAC>SHN>CD Aud patches: AUD MR>Reel(x2)>Cass>DAT>CDR
10/17/74 Winterland SBD 3 SBD MR>DAT>Gans Re-Master>CDR
10/18/74 Winterland SBD 3 SBD MR > PCM > DAT > CDR; Filler is 12/26/69 acc
10/19/74 Winterland SBD 3 SBD multitrack>DAT> CD; FP4
10/20/74 Winterland SBD 4 SBD multitrack > DAT > CD; some AUD patches; FP4
xx/xx/75 Blues For Allah Sesions STUDIO 1
03/17/75 Rehearsals SBD 2 Ned Lagin rehearsals w/Dead for SNACK
03/23/75 Kezar Stadium SBD 1 FMS->MR->DAT
06/17/75 Winterland AUD 2 Sony ECM 280s>Soy TC-152 SD cassette>playback on Nak Dragon>DAT>CDEAC>SHN>CD-R; Nice clean AUD...
09/28/75 Golden Gate Park SBD? 2 SBD>MR>PCM>DAT>CD
06/03/76 Paramount Theater SBD 3 SBD>MR>DAT>CD
06/09/76 Boston Music Hall SBD 3 S:MR>R>DAT *w/ A:CMaster>DAT Patches>Tascam DA20 MKII>ZA2>wav>SHN using soundforge and CD wav
06/10/76 Boston Music Hall SBD 3 SBD>MR>PCM->Interleave Reels->DAT->CD-R->DAW (Bertha)>CDR
06/11/76 Boston SBD 3 SBD>MR>PCM->Interleave Reels->DAT->CD-R
06/12/76 Boston FMS 3 SBD>FM(WBCN)> MR(7.5ips) Conversion: Akai 4000DS MKII>Turtle Beach Tropez>CoolEdit96>CD Wave>SHN>CD; With some interviews, some DJ banter over the begining of Samson.
06/14/76 Beacon, NYC SBD 3 SBD>MR>PCM->Interleave Reels->DAT->CD-R
06/15/76 Beacon, NYC SBD 3 SBD>MR>PCM>DAT>WAV>SHN>DAW(Bertha: re-master)CD>EAC>SHN>CDR
06/29/76 Aud. Theater, Chi. SBD 3 SBD>MR>PCM (analog outs)->DAT->Interleave Reels->DAT->CD-R->DAT->CD-R
06/29/76 Aud. Theater, Chi. SBD 1 SBD>>MR>>PCM(Analog)>>DAT>>CDA>>SHN>>DAW(Bertha)>>Audio DVD
07/12/76 Orpheum SBD 3 show (set I: SBD>MR>R>R>R>DAT>CD; set II: SBD>MR>DAT>Sonic Solutions>CDR) is complete, 2 CDs, soundcheck (SBD>VHS Master>DAT>CDR) is 1.
07/17/76 Orpheum SBD 2 msr>c>d>cd
07/18/76 Orpheum SBD 3 SBD>MR>PCM>DAT>SHN>CDR
08/02/76 Colt Park, Hartford AUD 3 Shure SM96>SONYTC-152>Master AUD Cass>DAT>CD R; A suprsingly good show for '76
08/04/76 Jerssey City, NJ DVD 1 Pro-Shot B&W
09/30/76 Ohio State Univ. AUD 3 FOB - AUD master cass > Cass > DAT > CD > EAC > SHN; Scarlet from: SBD master reel > PCM > cass > CD > EAC > .SHN
08/04/76 Jersey City, NJ DVD 2 Pro-Shot, B&W; Video Source: low gen VHS (from Nick Brush) > JVC SR-V10U VCR > Digital Time Base Corrector AVT-8710 > Canopus DVStorm-RT > Ulead DVD Workshop 2 (720 x 480 29.97fps NTSC 8000 Kbps); Audio Source: SBD>Cm>Reel>Lucid AD2496>CD (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD)
09/30/76 Ohio State Univ. SBD 1 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN; Just end of set I and begining of set II
10/01/76 Market Sq. Indianapolis AUD 3 AudMC > DAT > WAV >
DAT > SHN/CD; Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT
deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW (shn)
10/02/76 River Front Col., Cinn. AUD 2 AudMC > DAT > WAV > SHN;
Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.
10/02/76 River Front Col., Cinn. AUD 2 Condensor Mic>Mono Tape Deck>Cass>DAT>CDR>Cool Edit>CDR; Kind of skeevy, some cuts, still a decent show
10/03/76 Cobo Arena, Detroit SBD 3 SET I: AUD; Set II; SBD MR->DAT->CDR
10/09/76 Oakland SBD 2 Set 1: GDH PreFM DAT>ZA2>DartPro32 de-hiss w/ 2.7 gain>CD>EAC>SHN; Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN; a few songs missing from set I (ATC)
10/10/76 Oakland SBD 2 Master Soundboard Reel > DAT > CDR
10/14/76 Shrine Auditorium SBD 1 Set II MSR>DAT>CDR
12/31/76 Cow Palace FMS 3 SBD>FM>REEL>Tandberg10x>WAV>SHN; with the full set of encores from AUD source
02/20/77 Terrapin Sessions SBD 1
02/26/77 Swing Auditorium SBD 3 SBD>MR>PCM>DAT>CDR>EAC>SHN>CDR
02/27/77 Robertson Gym AUD 3 Sony 153's>Tandberg 9141>Tascam DA302 @ 44.1 kHz>Tascam CDRW-700 (Bertrando, 50ft back, dead center)
03/18/77 Winterland SBD 3 SBD>MR>DAT>CD; AUD splices are Sony ECM-280->Sony TC-152->DAT->CD (front row of balcony)
03/19/77 Winterland SBD 3 SBD MR>DAT (x2)>Sonic Solutions>CD-R
03/20/77 Winterland SBD 2 SBD>MR>R>DAT>CD; missing Terrapin
04/22/77 Philly Spectrum AUD 2 Aud>MC>?>DAT>CDR; good audience recording that sounds like it's from the master cass.
04/23/77 Springfield, MA SBD 3 SBD MR>DAT>CDR>EAC>SHN>CD
04/25/77 Capitol Theater AUD 2 Teddy Goodbear Aud Tree...AUD Master (boombox)>Cool Edit>CD-R
04/26/77 Capitol Theater AUD 2 Teddy Goodbear Aud Tree...AUD Master (boombox)>Cool Edit>CD-R
04/26/77 Capitol Theater DVD 1 Video of show (partial)
04/27/77 Capitol Theater SBD 2 Pre-FM>R>DAT>CD
04/29/77 The Palladium, NYC AUD 3 Aud>Sony ECM33Ps>Sony TC-152>MC>DAT>CDR; very good audience recording but lackng in high end Recorded by Jerry Moore
04/30/77 The Palladium AUD 3 Jerry Moore Sony ECM-33p mics>Sony TC-152 deck Conversion: MC> DAT/1>CD>EAC>SHN
05/01/77 The Palladium AUD/SBD 3 Set 1:Teddy Goodbear Aud Tree...AUD Master (boombox)>Cool Edit>CD-R; Set II: SBD>MR>DAT>CD
05/03/77 The Palladium AUD 3 Sony ECM-33P's>Sony TC-152>AudMC>DAT>CDR
05/04/77 The Palladium BBD 3 DISK1 (SBD>CASSM?R?>DAT; except for BEW which is MRSBD>CDR; BEW came from the "Around the Fire" soundtrack) DISK2 (MASTER REEL>DAT>DAT>CD, from David Gans)
05/05/77 Vets Mem Col. BBD 2 SBD>MR>PCM>DAT>CDR
05/07/77 Boston Garden BBD 3 BBD MR>PCM>DAT>CDR
05/08/77 Cornell BBD 3 "Dead In Cornell" Bootleg CD
05/08/77 Cornell BBD 3 Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks
05/09/77 Buffalo War Mem. BBD 3 BBD MR>PCM>DAT>CD-R
05/11/77 St. Paul Civic Center SBD 2 SBD>MR>Dat>Sonic Solutions>CD
05/12/77 Auditorium Theater AUD 3 Sony ECM99>CM>Cass>DAT>CD
05/13/77 Auditorium Theater SBD 3 SBD MR>DAT>CDR
05/15/77 St. Louis Arena SBD 3 SBD>Rm>?>Dat>CD
05/17/77 U Of AL. SBD 3 SBD>MR 7" (Baked)>DAT>Cass>DAT>CD All in circulation - missing encore
05/18/77 Atlanta SBD 3 SBD>MR>PreFM DAT>DAT>CD Partial 1st and 2nd sets with encore
05/19/77 Atlanta BBD 3 BBD>MR>DAT>CD
05/21/77 Lakeland Civic Ctr BBD 3 SBD>Rm>Dat>Sonic Solutions>CD
05/22/77 Pembroke Pines SBD 1 DP3 outs; SBD>MR>DATx2>CD
05/25/77 The Mosque SBD 3 SBD>Rm>PCM>Dat>CD
05/26/77 Baltimore Civic CTR SBD 3 Bettyboard 7" master reel @ 7 ½ ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback >hhb cdr-800)> CDR (first gen)>EAC>Sonic Solutions>SHN> CDR ; Estimated patched from 5/21/77, Around & Around from 5/25/77.
05/26/77 Baltimore Civic CTR SBD 3 Same as above, but with Estimated & Around patched from AUD source of this night
05/28/77 Hartford Civic Ctr. BBD 3 Bettyboard 7 inch master reel @ 7 ½ ips > DAT(zero gen)> CDR(zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn > .Wav > CD
05/28/77 Hartford Civic Ctr. AUD 3 Teddy Goodbear Aud Tree...AUD Master (boombox)->Cool Edit 2000>CD-R
06/04/77 L.A. Forum AUD 3 Aud>AKG D220 mics>Sony TC-153>MC>DAT@44.1>CDR; very good audience recording Recorded by Rob Bertrando, 17th row, just off center
06/07/77 Winterland SBD 3 SBD Vault Reels>DAT>
David Gans' Sonic Solutions Digital Editing>CDR>EAC>CDR
06/08/77 Winterland SBD 3 SBD MR>PCM>DAT>CDR>EAC>SHN
06/09/77 Winterland SBD 3 SBD MR>PCM>DAT>CDR
09/03/77 Raceway Park SBD 3 Two Track Master Reels->DAT->SHN->CD-R
09/29/77 Paramount Theater BBD 3 MSR>PCM x2>DAT>CDR>EAC>SHN>CDR
10/01/77 Paramount Theater SBD 2 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz
10/02/77 Paramount Theater SBD 3 BBD MR>PCM>DAT>CDR
10/06/77 Tempe, AZ BBD 3 SBD>MR>C>C>DAT>CD
10/07/77 U of N.M. SBD 1 Incomplete (ATC) Master Reels>DAT>DAT>Sonic>CD>CD> SHN SHN extracted from Grateful Dead Hour 490 From a David Gans CD
10/09/77 Denver SBD 3 SBD MR>Cass>DAT>CDR
10/14/77 Hoffheinz Pav SBD 3 SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN (COMING SOON)
10/15/77 S.M.U., Dallas SBD 2 SBD MC>R>DAT>CD
10/16/77 L.S.U. Baton Rouge SBD 3 SBD>MR>PCM>DAT>CDR; Last time Jerry used Travis Bean
10/28/77 Soldiers & Sailors Hall SBD 3 COMING SOON BBD MR>>PCM>DAT>CDR
10/29/77 NIU, Dekalb, IL SBD 3 SBD>R>DAT>SHN>CD
10/30/77 Indiana U. BBD 3 COMING SOON BBD 7" MR>PCM>DAT>CDR - Bettyboard 7" reels
11/01/77 Cobo Hall SBD 3 COMING SOON BBD 7" MR>PCM>DAT>CDR>EAC>SHN
11/02/77 Toronto SBD 3 SBD>Master Cass>Reels 1x>DAT>CDR>EAC>SHN
11/04/77 Broome County Arena SBD 3 BBD>DAT>CDR>SHN>CDR
11/05/77 Rochester, NY SBD 3 COMING SOON SBD>MR>DAT>CD (may be SBD MC>Reel>CDR)
11/06/77 Broome Cty Arena BBD 3 BBD>MR>PCM>DAT>CDRx1>EAC>SHN
12/27/77 Winterland SBD 3 SBD MR>DAT>Sonic Solutions >CDR
12/30/77 Winterland SBD 2 DP outs; SBD>MR>DAT>SonicSolutions>CD, also some 12/29 outs...
12/31/77 Winterland AUD 3
12/31/77 Winterland SBD 3 MSR->DAT->CD-R
01/30/78 Uptown Theater AUD 2 Sony ECM-99s>Sony TC-152>Reel>DAT>CDR
01/31/78 Uptown Theater SBD/AUD 3 End of Set I, Set II SBD; Set I AUD (FOB->DAT->CDR)
02/01/78 Uptown Theater AUD 2 SBD MR>Cass>DAT>CDR
04/06/78 Custis Dixon, Tampa SBD 3 SBD > MR > PCM > DAT > CDR
04/12/78 Duke University DVD 2 Pro-shot B&W
04/16/78 Huntington Civ Ctr SBD 2 SBD>MR>PCM>DAT>CDR
04/19/78 Columbus, OH SBD 3 SBD>Rm>CD>Sonic Solutions>CD
04/22/78 Nashville AUD 3 3 Sony 54P's->Nak 550
Bob Wagner 158 was patched out of the 550. Approx 10th row, only slightly left
of ctr.; Transfer info: (AUD MC)Nak Cassette Deck 1 with azimuth control (which was used to obtain the best high-end response)>
Midiman Flying Calf 24-bit A/D converter at 44.1KHz>through my Midiman
Delta DiO 2496 digital soundcard>SoundForge 4.5>tracked with CD Architech>CDR
05/05/78 Hanover, NH AUD 3 Recorded NAK CM700, Sony 158SD by Barry Glassberg; Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal
05/06/78 Burlington, VT SBD/AUD 2 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN
05/10/78 Syracuse SBD 3 msr>d>cd
05/11/78 Springfield AUD 3 SBD>MR>C>DAT>CD; Best spring '78 show
05/16/78 Uptown Theater AUD 3 AKG D202E mics > Sony TC-152 >REEL > DAT > CDWAV > SHN
05/17/78 Uptown Theater AUD 3 AKG D202E mics > Sony TC-152 >REEL > DAT > CDWAV > SHN
07/07/78 Red Rocks SBD 3 SBD> MR> ?> DAT; DAT> CD> EAC>SHN>CD
07/08/78 Red Rocks SBD 3 SBD>MR>DAT>CDR
08/??/78 Studio Studio 1 Shakedown Street outs
08/30/78 Red Rocks SBD 2 Set II only; SBD MC>DAT>CDR
09/15/78 Egypt SBD 2 SET II only; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB > SHN >CDR
09/15/78 Egypt DVD 1
09/16/78 Egypt SBD 3 SBD>MR>DAT>CD>EAC>SHN>WAV>CD
10/18/78 Winterland SBD 3 SBD->Master Reel->DAT->ZA2->DAT->CDR
11/16/78 Uptown Theater SBD 3
11/17/78a Rambler Room SBD 1 Filler on 12/30/79. MSR>DAT>CDR
11/18/78 Uptown Theater SBD 3
11/24/78 Capitol Theater DVD 3
12/13/78 Curtis Hixon Center AUD 2 AUD MC>DAT>CDR (resample to 44.1 with Soundforge); set I Nak 300's, Set II Senn 441's
12/16/78 Nashville Mun Aud AUD 3 Sony 54-P->Sony TC-158 Cm (played on a Nak Dragon)->DAT->CD Taper: Dr. Robert Wagoner
12/31/78 Winterland SBD 4 SBD> MR > PCM > DAT > CDA First three tracks and patches are: FMMR (Tandberg- TD20ASE) > Sony SBM-1 > CDA (Tascam- CDRW700); Also has the AWBYG. Have Blues Bros set too
01/15/79 Springfield, MA AUD 3 Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette >Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz >Soundforge > CDR (done by Jim Wise) > EAC > SHN > CDR; Recorded by Steve Rolfe, Section 61 (Front Middle), Row S, Seat 7.
($8.50 Admission). One mic was pointed at the PA (left or right)and the other at the drums. Rango Keshavan took his master tapes and put them onto DAT. Jim Wise took those DAT's and ran a 10dB noise reduction and gave the bass a boost @ 125Hz. He then sent a CD set to Rango, who did the EAC and converted them to SHNs.
01/17/79 New Haven, CT SBD 3 SBD: MC > EQ > CDR > EAC > SHN
01/20/79 Shea's Theater AUD 2 2 Sony ecm 280s spread 30’ on the balcony>Sony tc158 deck. It was then digitally remastered by Jim Wise
04/16/79 Club Front STUDIO 3 Brent rehearsals
04/22/79 San Jose, CA SBD 3 Brent's first show; Mickey's first show with the Beast; Set 1 Source: SBD>?>C>C>WAV>SHN>CDR> EAC(secure mode)>WAV>FLAC; Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN> CDR>EAC(secure mode)>WAV>FLA
05/07/79 Kirby Fieldhouse, PA AUD 3 NAK 700 Mics->Sony TC-158 MAC->DAT->CD Recorded By Barry Glassberg
05/08/79 Penn State AUD 3 NAK 700 Mics->Sony TC-158 MAC->DAT->CD Recorded By Barry Glassberg
05/09/79 Broome Cty. Arena AUD 2 NAK 700 Mics->Sony TC-158 MAC->DAT->CD Recorded By Barry Glassberg
05/12/79 UMASS AUD 3 FOB>Nak 700 mics>Sony D5>DAT>CDR
05/13/79 Portland, ME AUD 3 FOB>Nak 700 mics>Sony D5>MC>DAT>CD
08/12/79 Red Rocks SBD 3 MSR > DL's Reel > PCM > CDR
08/13/79 Red Rocks SBD 3 MSR > DL's Reel > PCM > CDR
08/14/79 McNichols, Denver AUD DAT MAC (Senn 421's. Sony D-5)->DAT
09/04/79 Madison Sq Garden SBD 3 SBD MR>Cass>DAT>CDR
09/04/79 Madison Sq Garden AUD 3 NAK 700s>TC-158>MAC>FC/DD 2496>CDR; 14th row center
09/05/79 Madison Sq Garden SBD 3 SBD MR>Cass>DAT>CDR
09/05/79 Madison Sq Garden AUD 3 NAK 700s>TC-158>MAC>FC/DD 2496>CDR; 11th row, 4 seats right of center
09/06/79 Madison Sq Garden SBD 3 SBD MR>Cass>DAT>CDR
09/06/79 Madison Sq Garden AUD 3 NAK 700s>TC-158>MAC>FC/DD 2496>CDR; 14th row center
10/28/79 Cape Cod SBD 3
10/31/79 Nassau Cty Col SBD 2
11/01/79 Nassau Cty Col SBD 2 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k); Transfer Info:
Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus ->
Samplitude v7.02 Professional -> SHN
11/06/79 Phila. Spectrum SBD 1 Set II SBD MC>Cass>DAT>CDR
11/09/79 Buff. War Mem SBD 3 SBD>MR>DAT>SS>CDR
11/29/79 Cleveland Public Aud. SBD 3 SBD>Cass Master>DAT>M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC
11/30/79 Stanley Theater SBD 3 SBD MC>DAT>Cass>DAT>CDR
12/01/79 Stanley Theater SBD 2 Set II only msc>d>cdr
12/03/79 Chicago SBD 3 SBD MC>C>DAT>SHN>CD
12/04/79 Chicago SBD 3 SBD MC>Cass>DAT>CDR
12/10/79 Soldiers & Sailor's Hall SBD 3 SBD>CM>R>DAT>CDR(1st set)/SBD>CM>?>DAT>CDR(2nd set)
12/11/79 Soldiers & Sailors SBD 3 SBD>Cm>Cass>Dat>CD
12/28/79 Oakland Col. SBD 2 SBD MC>PCM>DAT>CDR
12/30/79 Oakland Col. SBD 3 SBD MC>DAT>CDR
12/31/79 Oakland Col. AUD 4 Nak CM700 mics> Sony TC-158 cassette deck>DAT>CDR
01/13/80 Oakland Coliseum SBD 2 With Carlos Santana, John Cippolina & Gregg Errico; sbd>mr>dats>wav>shn
03/30/80 Cap Theater, Passaic, NJ SBD 2 SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC
05/06/80 Penn State AUD 3 sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800
05/07/80 Barton Hall AUD 3 AUD MC>DAT CD-R; 2 Nak 700's & 2 Nak 300's; Owen's Bros. Vault release, procesed with DCArt Millenium software.
05/07/80 Barton Hall SBD 3 SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN
05/12/80 Boston AUD 3 AudMC > DAT > Soundforge > CDWAV > SHN
05/16/80 Uniondale, NY SBD 3 SBD MC>Cassette>DAT>CDR
06/07/80 Boulder, CO AUD 3 FOB>Senn 421s>Nak 550>MC>DAT>CDR
06/08/80 Boulder, CO AUD 3 FOB>Senn 421s>Nak 550>MC>DAT>CDR
06/14/80 Spokane, WA AUD 2 Nak 300's>Sony D-5, 12'Tall Pole, 50 from Center Stage
06/19/80 West High Aud, AK SBD 2 No Drums
06/20/80 West High Aud, AK SBD 3 SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN
08/16/80 MI River Fest AUD 3 MAC>DAT>CDR (Sony ECM-250's>Sony TC-158)
08/19/80 Uptown Theater AUD 3 FOB Balcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD
08/20/80 Uptown Theater AUD 2 FOB Balcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD
08/21/80 Uptown Theater SBD 2 SBD MC>Cass>DAT>CDR
08/23/80 Alpine Valley AUD 3 UNK Equip>Cass>Cass>CDR
08/24/80 Grand Rapids, MI AUD 3 FOB>Nak 300s>Sony D5>MC>DAT>CDR
08/26/80 Cleveland Public Hall SBD 2 SBD MC>DAT>CDR
08/30/80 Phila. Spectrum SBD 2 SET II; SBD>CM>SonicSolutions>DAT>CD
09/02/80 Rochester AUD/SBD 3 Discs 1 & 3: FOB-Sony ECM-280>Cm>Dat>Sound Forge>CD; Disc 2: SBD>MC>?>C>DAT>SHN
09/03/80 Springfield, MA AUD 3 aud>sony ecm-280>Sony tc-d5>dat>cd from 10th row
09/04/80 Providence, RI AUD 3 aud>fob>sony ecm280>sony tc-d5>dat>cd
09/04/80 Providence, RI SBD 2 MSC>Reel>DAT>CDR
09/06/80 ME Fairgrounds AUD 3 Great Show!; Jim Wise recorded FOB using Nak 700 mics>sony tc d-5 Nak Dragon>Sony Pcm r-500 Dat>sound forge>cdr
09/25/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
09/26/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
09/27/80 Warfield AUD 4 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
09/29/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR; Missing acoustic set up to Heaven Help the fool; very nice recording.
09/30/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR; mising first 2 acoustic songs
10/02/80 Warfield SBD 2 sbdmc>dat>sonic solutions>cd
10/03/80 Warfield SBD 1 SBD MC>DAT>Sonic Solutions>CDR
10/04/80 Warfield SBD 1 Acoustic set through Mexicali Blues; SBD:MR>PCM>DAT>CD
10/06/80 Warfield SBD 1 Acoustic Set only: SBD>MR>RR>DAT>CDR
10/06/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
10/07/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
10/09/80 Warfield SBD 1 Acoustic set only; SBD MR>DAT>CDR
10/09/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
10/10/80 Warfield SBD 1 Acoustic set only: SBD MR>DAT>CDR
10/10/80 Warfield AUD 3 Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR
10/11/80 Warfield SBD 1 Acoustic set only: SBD MR>DAT>CDR
10/13/80 Warfield SBD 1 Acoustic set only; SBD MR>DAT>CDR
10/14/80 Warfield SBD/AUD 4 Acoustic sets & encore: Nak CM 700 mics x3->Mixer->Sony D5->Cass->DAT->CDR; rest is SBD>MR>DAT>CDR
10/18/80 Saenger Center AUD 4 (FOB) Neumann km84>Cm>Dat>CD; Extremely rare show.
10/19/80 Saenger Center AUD 3 Unk. Lineage, has a "wooshing" sound, very rare
10/22/80 Radio City Music Hall AUD 3 AUD MC->Reel->HD->Sound Forge->CDR
10/23/80 Radio City Music Hall AUD 3 Nak 300+CP1>MC>DAT>CDR
10/25/80 Radio City Music Hall AUD 3 senn. 441 > d-5 (center lower balcony several rows back) > nak dragon >sony pcm r-700 >za2>CDR
10/26/80 Radio City Music Hall AUD 3 FOB Senn 441>MC>DAT>CDR
10/27/80 Radio City Music Hall AUD 3 Senn 441>d-5 center lower balcony several rows back; Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
10/29/80 Radio City Music Hall AUD 3 Sony ECM 280>d-5 center lower balcony front rail; Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
10/30/80 Radio City Music Hall AUD 3 Sony ECM 280>d-5 center lower balcony front rail; Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
10/31/80 Radio City Music Hall AUD 3 Sony ECM 280>d-5 center lower balcony front rail; Nakamichi Dragon>Sony PCM r-700>ZA2>hard disc>CDR
10/31/80 Radio City Music Hall DVD 1 Partial (ATC); Broadcast VHS>JVC SVHS S-9500U VCR >I.DEN IVT-7 Time Base Corrector >Datavideo DAC-100 Analog converter >Adaptec 4300 Firewire card >Dell 2350 1.8g 256k mem 80g HD W-XP >Scenalyzer Live 2.1 capture software (720x480 .avi) >TMPGENC 2.5 video software (352X240 NTSC .mpeg-1)
11/26/80 Pembroke Pines SBD 3 SBD MC>Cass>DAT>CD
11/29/80 Gainesville, FL AUD 3 FOB - Beyer M-160's>Sony TC-D5>CDR via Alesis Masterlink (Mics were on a 15'? pole at the SBD); This version represents a new transcription of the Jim Wise/Beyer M-160 Audience Recording of this show. The previous transcription was processed with noise reduction. This transcription is free of such processing.
11/30/80 Fox Theater, Atlanta AUD 3 MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show)
12/06/80 Mill Valley Rec Ctr AUD 1 Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR
12/27/80 Oakland Aud SBD 3 SBD MC>DAT>CDR; some imperfections on d2
12/31/80 Oakland Aud SBD 4 First 3 acc songs missing; patched in at end from aud source; SDCK also.
02/26/81 Uptown Theater SBD 3 SBD 7" @ 7.5 ips MR>DAT(0) (Reel>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode>Soundforge> CDWAV > SHNv3 w/seek tables appended.
02/27/81 Uptown Theater SBD 3 Same info as 2/26
02/28/81 Uptown Theater SBD 3 Same info as 2/26
03/05/81 Stanley Theater AUD 3 Audience recording by Jim Wise (Sennhaiser 421>D5) set up loge center Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended
03/06/81 Stanley Theater AUD 3 Audience recording by Jim Wise (Sennhaiser 421>D5) set up loge center Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended
03/09/81 Mad. Square Garden AUD 3 Nak 700>Sony TCD5M>Sony TCD-d8>HHB800>"Sonic Super Charge" (Jim Wise)>CD
03/10/81 Mad. Square Garden AUD 3 Nak 700>Sony TCD5M>Sony TCD-d8>HHB800>"Sonic Super Charge" (Jim Wise)>CD
03/12/81 Boston Gardens DVD 2 Video: Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder; AudMC > DAT > CDWAV > SHN (shn id = 7584); Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe, 16th row in front of Jerry; A>D by Noah Weiner (noahbw@attbi.com) January, 2002; AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for editing.
03/13/81 Utica AUD 3 My copy came marked as an AUD/SBD mix; "Dank seed certified" Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended
03/21/81 Rainbow Theater SBD/AUD 3 SBD MC>Cass>CDR; AUD: Frank Streeter recording Senn 421's>Sony TC-D5 @ SBD; A>D by Rich Gastwirt D>CD Sony R-700>HHB CDR 800
03/23/81 Rainbow Theater AUD 3 AUD MC>DAT>CDR>SHN
03/28/81 Gruga Halle SBD 3 stereo FM>reel master> DAT>CDWAV>SoundForge>CDR; patch in d2t09: stereo FM>cassette master>SoundForge> CDR; d3t07: stereo FM>cassette master>cassette>CDR
03/28/81 Gruga Halle DVD 2 Pro-Shot; Video Source: Low gen VHS > JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged > s-video >ATI All-in-Wonder 128 > VirtualDub Sync mod w/ HuffYUV >AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image). Audio Source: (*)FM>>MR>>DAT>>CDA (shnid=3306)>>DAW(Bertha)>>SHN>>WAV>>ADOBE AUDITION
04/30/81 Greensboro Coliseum AUD 3 1st set:Beyer M160s>Sony D5 @ SBD; 2nd set:Nak 700s>Sony D5 12th row - recorded by Jim Wise
05/02/81 Philly Spectrum SBD 3 Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> DAT; Transfer Info: DAT (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC
05/11/81 New Haven Colesium SBD 3 Recording Info: SBD -> Master Cassette -> Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
05/12/81 New Haven Colesium SBD 3 SBD MC>Cass>DAT>CDR>SHN>CDR
05/13/81 Providence, RI DVD 3 Video: Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder; Audio: Nak 300's>MC>DAT>CDR
05/16/81 Barton Hall, Ithaca, NY SBD 3 Recording Info: Set 1: SBD -> Master Cassette -> Reel -> DAT; Set 2: SBD -> Master Cassette -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
05/22/81 Warfield, SF, CA AUD 1 Acoustice (no Phil with John Kahn) - MAC (Taped by John Angus & Scott Hart, unknown mics > (Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > patching (SF Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition).
07/04/81 Austin, TX SBD 3 Recording Info: SBD -> Cassette Master -> DAT (48k); Transfer Info: DAT (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC
07/05/81 OKC, OK SBD 3 Recording Info: SBD -> Master Cassette -> Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
07/07/81 Kansa City, MO SBD 3 Recording Info: SBD -> Master Cassette -> Reel -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
07/10/81 St. Paul AUD 3 Nak 300mics>Sony TC-D5 MC>C>Sound Forge Remaster>CD Recorded by John Steinthal from seats behind the stage
07/11/81 Alpine Valley SBD 1 MSC->Cass->DAT->CDR Set II
07/11/81 Alpine Valley AUD 3 MAC>DAT>CD-R; Nak 300s>Sony TC-D5 Recorded By: John Steinthal
07/13/81 McNichols Arena SBD 3 SBD MR>DAT>CDR Serafin Remaster
07/14/81 McNichols Arena AUD 3 AUD>MC>DAT>CDR
08/30/81 Compton Terrace AUD 3 FOB Senn 441's>SonyTC-150>CM>DAT>CD
08/31/81 Las Vegas AUD 3 FOB Nak 700's->Sony TC-D5M MAC->DAT->CD recorded by Dr. Bob Wagner
09/11/81 Greek Theater AUD 3 SENN 421s>MC>D5>DAT>SOUNDFORGE>CDR
09/30/81 Edinburgh SBD 3 SBD>?>C>C>WAV>SHN>CDR
10/11/81 Milk Weg AUD 1 Bob & Jerry Accoustic; Aud, unknown mics: CM>1C>DAT>WAV>SHN>CD
10/13/81 Russelheim, FRG SBD 3 MSC>C>C>CDR
10/15/81 Milk Weg AUD 2 FOB (Belgian taper with unknown equipment)>Cassette Master>Cass>DAT>CDR
10/16/81 Milk Weg SBD 2 Accoustic 1st set; SBD MC>CASS>DAT>CDR, with aud patches
10/19/81 Barcelona, Spain SBD 3 SBD>Cassette Master>Cassette>DAT>CD>EAC>SHN>Adobe Audition v1.5> Samplitude Professional v10.1> FLAC
12/02/81 U. Of I. AUD 3 (FOB) Senn 421>Cm>Dat>CD
12/03/81 Dade Cty. Col. AUD 3 Nak 300's > Sony D5
12/05/81 Indianapolis SBD 3 SBD MC>Reel>DAT>CDR>Soundforge>CDR; excellent sound & show!!!
12/06/81 Rosemont Horizon AUD 3 One of these two sources is likely Sony D-5 and Nak 300; TN Jed//, Analog gens
12/06/81 Rosemont Horizon AUD 3 Different source
12/07/81 Des Moines AUD 3 unk AUD source
12/09/81 Boulder SBD 3 Master Soundboard Cassette > Reel to Reel > DAT> CDR; Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02)
12/26/81 Oakland Aud SBD 3
12/31/81 Oakland Aud SBD 4 DEAD SETS: SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA; BAEZ SET:SBD MC>Cass>DAT (48.1kHz)>Digital Coax Input ZA2 (Real Time hardware re-sample to 44.1)>CD
xx/xx/82 Brent Unreleased Solo Album STUDIO 1 SBD>C>CDR>EAC>SHN;
This is a studio album remastered to cd with proper pre-track gaps of 2 sec.
04/14/82 Glen Falls SBD 2 SBD MC>C>DAT>CD
04/17/82 Hartford Civic Ctr SBD 3 SBD MC>DAT>CDR GREAT SHOW!!!!!!!
07/27/82 Red Rocks AUD 2 FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR>Eac>Cool Edit 96 (speed correction set II, minor glitch repair)>CDR
07/28/82 Red Rocks AUD 3 FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR (Jim Wise transfer/master)
07/29/82 Red Rocks AUD 3 FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR (Jim Wise transfer/master)
07/31/82 Texas Downs DVD 2 AUD shot; as complete as it gets.
08/03/82 Starlight Theater AUD 3 AUD : MC (FOB, 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5) > DAT > CD
08/04/82 Kiel Auditorium SBD 2 SBD>MasterCass>DAT>CD
08/06/82 St. Paul, MN DVD 1 Audience recording with SBD audio
08/07/82 Alpine Valley SBD 3 SBD>MC>PCM>DAT>WAV>SHN>WAV>CD
08/08/82 Alpine Valley SBD 3 SBD MC>DAT>CDR My last Dead show
09/05/82 Devore, CA SBD 2 US Festival; SBD MC>DAT>CDR
09/09/82 New Orleans, LA SBD 2 SBD>MC>PCM>DAT>CD
09/12/82 Lakeland, FL SBD 2 SBD MC>Reel>CDR
09/20/82 Madison Sq. Garden AUD 3 Jim Wise (18th row - Center) Sennheiser 421's > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN
10/10/82 Frost Ampitheater SBD 3 SBD MC>PCM>DAT>CDR
10/17/82 Santa Fe Downs AUD 3
11/11/82b Felt Forum AUD 2 Sennheiser 421's in an X-Y pattern on a stand at the SBD Cass>CDR>SHN
12/26/82 Oakland Aud. AUD 2 Set 2 only; SBD>PCM>Peak>Samplitude Professional v10.1> FLAC
12/27/82 Oakland Aud. AUD 1 Set 2 only; SBD>PCM>Peak>Samplitude Professional v10.1> FLAC
12/30/82 Oakland Aud. AUD 2 Set 2 only; SBD>PCM>Peak>Samplitude Professional v10.1> FLAC
12/31/82 Oakland Aud. FMS 3 FMS>Cass>DAT>CD-R...very nice NYE show
04/12/83 Binghamton, NY SBD 2 Set II only; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
04/13/83 UVM, Burlington, VT SBD 3 SBD MC>Reel (3 3/4 ips)>Revox A-77 (reel to reel deck)> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering)>CDR>EAC>SHN>CDR
04/26/83 Phily Spectrum SBD 3 SBD MC>Cass>DAT>CDR
05/15/83 Greek Theater AUD 3 FOB Aud Sony ECM 220T> Sony D5 using Fuji Metals no dolby Played back on a Nak DR1 with Azimuth adjustment>Sony PCMR500 DAT 48KHz SBM ON>PC transfer via Turtle Beach Montego II Digital I/O>SHN>CDR - this came listed to me as a SBD
06/21/83 Columbia, MD DVD 2 AUD shotnot a great picture, but not too bad
06/27/83 Poplar Creek AUD 3 sennheiser 421 > sony tc d-5m around the sbd area xl11s dolby b cassette master; analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @44.1 kHz , then dat > cd via hhb cdr-850
06/28/83 Poplar Creek AUD 3 sennheiser 421 > sony tc d-5m around the sbd area xl11s dolby b cassette master; analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @44.1 kHz , then dat > cd via hhb cdr-850
08/27/83 Seattle, WA AUD 2
09/02/83 Boise State University SBD 3 SBD CM>DAT>CDR
09/08/83 Red Rocks AUD 3 AUD(Senn. 441’s)>MC>DAT>CDR>Eac >cool edit > shntool > cdwav >shnv3;
Eac >shn (secure with proper offsets)
09/08/83 Red Rocks SBD 2 MSC>R>DAT>CDR; Scarlet>Fire Eaton's MAC>DAT>CDR
10/11/83 Madison Sq. Garden AUD 2 FOB(Senn 441s)>PCM>DAT>CD>SHN>CD
10/21/83 Worchester, MA AUD 3 FOB Sennheiser 441's>12 bit PCM>DAT>CD-R
10/21/83 Worchester, MA SBD 3 Master Soundboard PCM> Cassette>DAT>CDR
10/31/83 Marin County Fairgrounds AUD 3 FOB Nakamichi 700's > DAT > CDR
10/31/83 Marin Cty Civic Ctr SBD 3 SBD MC>DAT>CDR>EAC>CDWAV>SHN
12/31/83 S.F. Civic Aud. SBD 3 SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN)
04/01/84 Marin Cty. Vets. SBD 3 SBD MC>PCM>DAT>DAT>Serafin Studios>CDR
04/13/84 Hampton Coliseum AUD 3 FOB center>Neumann U87 mics >Sony TC-D5 cm >DAT>CDR; excellent audience recording. Recorded by Rob Eaton
04/14/84 Hampton Colesium AUD 2 FOB center>Neumann U87 mics >Sony TC-D5 cm >DAT>CDR; excellent audience recording. Recorded by Rob Eaton
04/21/84 Philadelphia, PA AUD 2 II, e Aud>PCM>DAT>CDR 17th row center, 30' apart, Neumann U-87>Technics SV100>DAT>CDR
04/26/84 Providence AUD 3 SBD MC>CASS>DAT>CDR;
04/27/84 Providence AUD 2 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN; 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN
05/07/84 Silva Hall SBD 3 SBD MC>DAT>CDR
05/08/84 Silva Hall DVD 1 Video Source: Camera on Tri-pod> first gen vhs from Keseys> Sony vcr>ATI Wonder card (capture and render AVI, 720x480, 29.97fps, NTSC)> VirtualDub> Vegas4> DVD Architect>DVD2AVI> TMPGEnc Plus 2.5> ADOBE ENCORE DVD; Audio Source: SBD Feed>WAV>ADOBE AUDITION>ADOBE ENCORE DVD.
06/12/84 Red Rocks AUD 3 Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96
06/13/84 Red Rocks AUD 2 MC->C->CD
06/13/84 Red Rocks SBD 2 SBD>PCM>DAT>CDR>WAV>SHNv3
06/14/84 Red Rocks SBD 2 SBD>MC>C>DAT>CD>EAC> SHN
06/14/84 Red Rocks AUD 2 MC->C->CD
06/27/84 Merriweather DSBD 3 SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
06/30/84 Indianapolis SBD 2 Set Ip (ATC in SBD) & II SMC>DAT>CD>analogue processing>CD
07/06/84 Alpine Valley AUD 2 Sennheiser 441's>MC>DAT>CD
EAC>Cool Edit>shntool>cdwav>shnv3EAC>shn
07/13/84 Greek Theater SBD 3 SBD>Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90)>Nakamichi DR-1> Sound Devices 744T (24bit/96k)>
Samplitude Professional v10.1>FLAC
07/14/84 Greek Theater SBD 3 SBD>Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90)>Nakamichi DR-1> Sound Devices 744T (24bit/96k)>
Samplitude Professional v10.1>FLAC
07/15/84 Greek Theater SBD 3 Set 1: SBD -> PCM Master -> DAT/0 -> Samplitude Professional v8.0 -> FLAC; Set 2: SBD -> PCM Master -> DAT/0 -> Sonic Solutions -> CD -> EAC -> FLAC
07/21/84 Ventura County Fairgrounds SBD 2 SBD MC>DAT>CDR
07/22/84 Ventura County Fairgrounds SBD 2 SBD MC>DAT>CDR
10/05/84 Charolette Col AUD FOB 3 MOTB tree; Nak 300 mics > Sony TCD5-M > DAT (via highly modified Sony ES) > CDR
10/06/84 Richmond Collesium AUD FOB 3 MOTB tree; Set 1: Nak 300>Sony TCD5-M>DAT (Mike Grace), Sennheiser 441>Sony TCD5-M>Sony D6>DAT (John Cadwell) Set 2: Sennheiser 441>Sony TCD5-M>Sony D6>DAT (John Cadwell) Encore: Nak 300>Sony TCD5-M>DAT (Mike Grace)
10/12/84 Augusta, ME SBD 2 MSC>Reel>DAT>CDR
10/27/84 Berkeley Comm. Theater AUD 3 Senn 441’s>Sony D-5
Lineage: AUD>MC>DAT>CDR
10/28/84 Berkeley Comm. Theater AUD 3 Senn 441’s>Sony D-5
Lineage: AUD>MC>DAT>CDR
10/30/84 Berkeley Comm. Theater AUD 2 Senn 441’s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
10/31/84 Berkeley Comm. Theater AUD 3 AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters.
11/02/84 Berkeley Comm. Theater SBD/AUD 3 SBD MC>Cass>DAT>CDR; AUD (Sennheiser 441) > CM > CDR > WAV > SHN
11/03/84 Berkeley Comm. Theater SBD 3 SBD MC>DAT>CDR
12/31/84 S.F. Civic Aud FMS 3 FMS->Reel->DAT->CD-R (via DAT Port)
02/18/85 Kaiser Center SBD 3 SBD MC>DAT>CD>Soundforge (for speed correct & notch filter)>CDR
03/22/85 Hamton, VA DVD 1 Set II only; AUD (hand held) with audio upgrade
04/07/85 Philly Spectrum SBD 2 Unk lineage, good show
04/07/85 Philly Spectrum DVD 2 AUD shot; pretty nice but not the re-mastered version
04/27/85 Frost Ampitheater SBD 3 SBDMC>DAT>CDR
06/15/85 Greek SBD 2 SBD>MC>DAT>CDR>SF>CDWAV>SHN>CDR
06/21/85 Alpine Valley SBD 2 SBD MC>DAT>CDR
06/22/85 Alpine Valley SBD 3 SBD HI-FI VHS>DAT>CD
06/25/85 Cuyahoga Falls, OH SBD 2 SBD MC>DAT>Sonic Solutions>CD>EAC>SHN
06/27/85 Saratoga SBD 3 Amy's Soundboard VHS > Cassette > DAT> CDR
06/30/85 Merriweather Post Pav SBD 3 SBDMC>DAT>CD
07/02/85 Pittsburgh, PA DVD 1 Audience shot with SBD audio
08/10/85 New Brunswick, NJ AUD 2 Billy & Brent side-project
09/05/85 Red Rocks AUD 3 Master Audience Cassette > DAT > CDR
09/07/85 Red Rocks AUD 3 Nice AUD...nice show; CMC42SOade power supply +90deg x-y Schoeps CMC441Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug OadeDAT TB Fiji digi I/O yarec wav2cdr wav
10/29/85 Fox Theater, Atlanta SBD 3 SBD > MC > C > DAT > CD > EAC > SHN
10/31/85 Carolina Col. SBD 2 SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
11/08/85 Rochester, NY DVD 1 Video Source: 2nd Generation Audience Stealth VHS> Sony SLV-D300P > AVT-8710 TBC > Sony RDR-GX 300 > Vegas 6.0b > DVD Architect 3.0 (720 x 480 29.97fps NTSC 6000 Kbps VBR );
Audio Source: Oade Bros Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 >Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHNID=22023) > WAV >ADOBE Audition (LPCM 1536 Kbps Stereo 48Khz)
12/30/85 Oakland Col. Arena SBD 3 SBD MC>DAT>CDR
12/31/85 Oakland Col. Arena AUD 3 AUD>?>DAT>CDR
12/31/85 Oakland Col. Arena DVD 1 Video Lineage: USA Network Broadcast>Panasonic HiFi VCR>JVC SVHS S-9500U VCR >I.DEN IVT-7 Time Base Corrector>Datavideo DAC-100 Analog converter>Adaptec 4300 Firewire card>Dell 2350 1.8g 256k mem 80g HD W-XP>Scenalyzer Live 2.1 capture software (720x480 avi); Primary audio source: SBD(PreFM)>>CASS>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN (shnid=20006) Audience audio source: AUD>?>DAT>CDR (shnid=12086)
Broadcast audio source: USA Network Broadcast>Panasonic HiFi VCR>Totalrecorder 4.5>WAV>SHN>AUDITION
xx/xx/86-88 HOME MOVIES DVD 1
02/14/86 Kaiser Center SBD 2 Lineage: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; Transfer Info: Sony R500>Behringer SRC2000>Dio 2448>Compaq 5452
10/29/86 Graffitti Showcase SBD 3 Go Ahead (Brent & Billy w/ members of Santana, et.al.) MSC (Nak)->Nak->DAT->CDR
12/30/86 Oakland SBD 3 SBD>Cm>DAT>CD>EAC>SHN
12/31/86 Oakland SBD 3 Pre FM>DAT (44.1)>CDR (remaster @Serrafin)
01/28/87 SF Civic Center SBD 2 SBDcm(Healy Mix)>DAT>EAC>WAVE LAB>CD WAVE>MKW>SHN>CDR
03/01/87 Kaiser Center SBD 3 SBD>MC>DAT>SF>CDR
03/24/87 Hampton Coliseum DVD 2 Video Source: Tripod Cam w/Zoom, Master Hi-fi VHS > Hi-fi VHS > Hi-fi VHS >JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged > s-video >ATI All-in-Wonder 128 > VirtualDub Sync mod w/ HuffYUV > AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image); CAPTURE: NTSC D1 (720x480, 29.97fps); Audio Source: FOB Schoeps CMC44>Oade P.S.>Sony PCMF1 Sony PCMF1>DAT>SHN>WAV>ADOBE AUDITION
03/03/87 Kaiser Center DSBD 2 DSBD>DAT>CDR
03/30/87 Philly Spectrum AUD 3 Aud>Sony mics>Nakamichi BX-300>Maxell metal cassette
03/31/87 Philly Spectrum AUD 3 Aud>Sony mics>Nakamichi BX-300>Maxell metal cassette
04/11/87 UIC Pavillion DSBD 2 DSBD>DAT>CR
04/18/87 Irvine Meadows SBD 2 SBD MC>PCM>DAT>CDR
06/??/87 Dylan & The Dead Rehearsals STUDIO 6 Pre-rehearsals, rehearsals & a GDH with Gans interviews
07/04/87 Foxboro Stadium AUD 3 with Dylan set FOB>>aud>>senn me80>>cassette master>>cdr
07/07/87 Roanoke Civic Center AUD 2 Aud > Schoeps > PCM > DAT > CD > EAC > SHN
07/10/87 JFK Stadium AUD 3 FOB>>aud>>senn me80>>cassette master>>cdr
07/12/87 Giant's Stadium DVD 3 Video Source: Set I - 3rd Gen. Pro-Shot; Set II - 2nd gen pro-shot; Set III: Audience shot; Audio Source: audience. Set III with Dylan
07/19/87 Autzen Stadium DSBD 2 Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97)
08/11/87 Red Rocks DSBD 2 DSBD>DAT>CDR
08/20/87 Park West DSBD 3 DSBD>DAT>CDR
08/22/87 Calaveras DSBD 2 SBD>MASTER PCM>DAT>CDR; with Carlos Santana
08/23/87 Calaveras DSBD 2 SBD>MASTER PCM>DAT>CDR ;with Carlos Santana
09/16/87 MSG DVD 1 VIDEO: Audience; AUDIO: SBD
09/18/87 MSG DSBD 3 DSBD>PCM?>DAT>CDR
09/18/87 MSG DVD 2 Video of show
11/15/87 Long Beach SBD 2 SBD MC>Sonic Solutions> Pre-FM Dat @44.1 Transfer:DA-P1>Delta Audiophile 2496>Sound Forge 5>CDWave> mkwACT>CDR
12/31/87 Oakland FMS 3 SBD>FM>REEL(TandbergTD20ASE)>WAV>SHN>CDR
04/11/88 Joe Louis Arena SBD 2 SBD>In house FM broadcast >MC>CDR>EAC>CDWave>mkwACT>CDR
06/23/88 Alpine Valley SBD 2 SBD > HEALY ULTRAMIX PCM > SONIC SOLUTONS > CDR
07/16/88 Berkeley DSBD 1 Set I DSBD>DAT>CD
07/31/88 Monterey DSBD 2 DSBD>PCM>DAT>CDR
09/11/88 Philly Spectrum DSBD 3 (Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
09/15/88 MSG SBD 2 SBD MC>DAT>Sonic Solutions>CDR
09/16/88 MSG SBD 2 SBD MC>DAT>CDR
09/24/88 MSG SBD 2 FMS>?>Bootleg CD "Rainforest Benefit">CDR
10/16/88 St. Petersburg, FL DVD 1 Set II only; Video Source: 2nd gen VHS > JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged > s-video >ATI All-in-Wonder 128 > VirtualDub Sync mod w/ HuffYUV >AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image); Audio Source: AUD>MC>DAT>CDR (shnid=10058)>SHN>WAV>ADOBE AUDITION
10/21/88 Dallas, TX DSBD 3 Recording Info: SBD -> DAT; Transfer Info: DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
12/04/88 BSB II, Oakland DSBD 1 Jerry & Bobby only; Bridge School Benefit SBD>?>CDR
12/28/88 Oakland Col. DSBD 3 SBD: Healy Ultra Matrix Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN
12/29/88 Oakland Col. DSBD 2 Healy Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN>CDR
12/31/88 Oakland Col. DSBD 3 Healy Ultra MAtrix Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN
04/13/89 Rosemont Horizon DSBD 2 SBD > Dat > CDR > EAC > CDWave > mkwACT > CDR
04/24/89 Sweet Water SBD 2 Elvis Costello & Friends (to include Jerry & Bobby) MSC->CDR
05/07/89 Frost Ampitheater DSBD 2 DSBD (Matrix)>DAT>CDR>EAC>SHN>CDR
07/17/89 Alpine Valley DSBD 3 DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN
07/18/89 Alpine Valley DSBD 3 DSBD>DAT>CD
07/19/89 Alpine Valley DSBD 3 DSBD>DAT>CDR
08/05/89 Cal Expo DAUD 3 Source:
FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC(range extraction at 100%) > CDWAV > mkwACT
08/18/89 Greek Theater DVD 2
08/19/89 Greek Theater DVD 2 Video Source: Tripod Audience > ? > DVD; Primary Audio Source: SBD > MC > DAT > CD > EAC > SHN (shnid=23066)?
10/08/89 Hampton Roads DAUD 3 FOB Schoeps CMC34's > Panasonic SV-250
10/08/89 Hampton Roads DVD 3 Video: low generation audience video; Audio Source: SBD > MC > DAT > CD > EAC > SHN
10/09/89 Hampton Roads SBD 3 SBD>CASSx>DAT>CDR
10/09/89 Hampton Roads DVD 2
10/16/89 Meadowlands SBD 1 SBD>??Bootleg CD>CDR(set II)From the bootleg CD "Bobby's Birthday"
10/20/89 Philly Spectrum DSBD 3 DSBD>DAT>CDR; 40 second aud patch + SBD/4 patch of Hey Pockey Way, SBD/4 Patch for Scarlet
12/10/89 L.A. Forum DSBD 3 SBD > DAT > CDR > WAV > SHNv3
12/27/89 Oakland SBD 3 Dan Healy's Master Soundboard Cassette > CDR
12/31/89 Oakland DSBD 3 Pre-FM DSBD>DAT>CDR
03/22/90 Copps Coliseum DSBD 3 DSBD(matrix)>DAT>CD>EAC>CD
03/22/90 Copps Coliseum DVD 2 Video of show
03/24/90 Knick DVD 1 1st set; Video Lineage: 8mm audience > JVC SVHS S-9500U VCR > I.DEN IVT-7 Time Base Corrector >Datavideo DAC-100 Analog converter > Adaptec 4300 Firewire card >Dell 2350 1.8g 256k mem 80g HD W-XP > Scenalyzer Live 2.1 capture software (720x480 .avi) > TMPGENC 2.5 video software (720X480, .mpeg-2, 7670 kb/s VB NTSC, 1536 kb/s AB 48 Khz stereo) > TMPGENC DVD Author 1.04.20; Audio Lineage: SBD > Dat x 3 > CDR > SHN (shnid=12791)
03/25/90 Knick SBD 3 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
03/26/90 Knick SBD 2 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
03/26/90 Knick DVD 2
03/28/90 Nassau Vets Mem Col SBD 3 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
03/30/90 Nassau Vets Mem Col SBD 3 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
04/01/90 Omni, Atlanta SBD 3 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR
06/08/90 Cal Expo DVD 1 Not the From The Vault release; AUD shot
06/23/90 Eugene, OR 3 SBD-matrix>CM>DAT>CDR>WAV>SHN
06/24/90 Eugene, OR 3 SBD>MC>DAT>CD-R
07/12/90 RFK DSBD 3
07/19/90 Deer Creek DSBD 3 DSBD>DAT>CD-R>EAC>SHN
07/21/90 Tinley Park DSBD 3 DSBD>DAT>CDR
07/22/90 Tinley Park DSBD 3 DSBD>DAT>CDR
07/23/90 Tinley Park, IL DVD 2 SOURCE: Appears to be Vid Screen/Pro Shot; AUDIO: SBD LINEAGE: DVD>DVD Decrypter FORMAT: NTSC
09/14/90 MSG DSBD 3 Matrix Bd>CD>EAC>WAV>SHN
09/15/90 MSG DSBD 3 DSBD Transfer: Sony SDT-9000> VDAT> WAV> CDWAV> mkwACT> SHN V.3>EAC>WAV
09/16/90 MSG DVD 1 Set II
09/19/90 MSG DVD 2 DVD
09/20/90 MSG DVD 1 Set II; Video Source: 2nd gen VHS > JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged > s-video > ATI All-in-Wonder 128 > VirtualDub Sync mod w/ HuffYUV > AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image); CAPTURE: NTSC D1 (720x480, 29.97fps); DVD: encoded @ 8000kbps CBR interlaced & 1536kbps PCM WAV; Audio Source: Bertha Remaster of the digital sbd(shnid=14855)>SHN>WAV>ADOBE AUDITION
10/22/90 Frankfurt Festhalle DSBD 3 DSBD>DAT>C>DAT>CDR
10/28/90 Zenith, Paris DVD 1 Set II only; AUD video, audio is SBD
10/31/90 Wembley DSBD 3 SBD>DAT (44.1 kHz)>CD-R
11/01/90 Wembley DVD 1 Set II only
12/28/90 Oakland DAUD 3
12/30/90 Oakland DSBD 3 Ultra-Matrix SBD->DAT->CDR
12/31/90 Oakland FMS 5 pre-FM SBD>DAT>CDR>CDR>CDR>CDR 1 CD of Branford, 1 CD of Rebirth Brass
03/21/91 Landover, MD (Cap Ctr) DSBD 2 SBD>DAT>ZA2>SHN>CDR
04/27/91 Sam Boyd Bowl SBD 3 SBD>MC (Phil Lesh) > DAT > CDR
06/06/91 Deer Creek DSBD 3 SBD Master DAT>DAT>CDR>EAC>SHN>CDR
06/07/91 Deer Creek DSBD 3 SBD Master DAT>DAT>CDR>EAC>SHN>CDR
06/11/91 Charolette, NC DSBD 3 DSBD>CM>DAT>CDR
06/14/91 RFK Stadium DSBD 2 SBD>DAT>CDR>EAC>SHN>WAV>CDR
06/16 & 17/91 Giants Stadium DVD 1 Video Source:
(1) Tony's VHS > JVC SR-V10U VCR > Conexant 2388 capture card > Ulead DVD Workshop 2; (2) & (3) 1st generation vhs abc in concert > JVC SR-V10U VCR > Conexant 2388 capture card > Ulead DVD Workshop 2; Audio Source: (1) & (2) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF shn ID = 17028; (3) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus; -> Samplitude v7.02 Professional -> SHN; Transferred and edited By Charlie Miller
06/17/91 Giants Stadium DSBD 3 DSBD>DAT>CDR
06/25/91 Sandstone Amp. DSBD 2 DSBD>DAT>CD>EAC>SHN
09/04/91 Richfield Col. DSBD 3 sbd>dat>c>dat>cdr
09/05/91 Richfield Col. DSBD 3 sbd>dat>c>dat>cdr
09/06/91 Richfield Col. DSBD 3 sbd>dat>c>dat>cdr
09/09/91 MSG DSBD 3 DSBD>DAT>CDA>SHN>CDR
09/10/91 MSG DVD 3 VIDEO: Audience: 1st or 2nd generation vhs; (720x480 29.97fps NTSC 8400Kbps VBR); Audio: SBD: DAT(M) > DAT(1) > DAT(2); Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC Audio Lineage: DSBD -> Dat -> CD
09/10/91 MSG DSBD 3 DSBD>DAT>CDA>SHN>CDR
10/27/91 Oakland Col. Arena DSBD 2 Set II only. "Bootleg CD April Fools Encore."
10/31/91 Oakland DSBD 2 Just set II
12/30/91 Oakland DAUD 3 AKG Shotguns>D5>D3>CDR
12/31/91 Oakland DSBD 3
02/21/92 So Many Roads sessions STUDIO 1 studio/sbd>dat>shn>cdr
05/19/92 Cal Expo, Sacremento DAUD 2 SBD>DAT>CDR>EAC>Cool Edit>SHN; SBD>CM>CDR>EAC>Cool Edit>SHN (Starts @ D2T7 TNK @ 4:45)
05/25/92 Shoreline DSBD 3 SBD>DAT>C>DAT>CDR; Conversion: EAC(secure)>CD WAV>WavLab4.0>Shntool>SHN(seekable)
05/31/92 Sam Boyd Silver Bowl DSBD 3 SBD > DAT > SONY D8 (S/PDIF) > HD > SHN
06/06/92 Rich Stadium AUD 3 AUD>??>CDR
06/06/92 Rich Stadium DVD 2 Pro-Shot with SBD audio
06/14/92 Giant's Stadium DAUD 3
06/20/92 RFK Stadium DSBD 3
06/26/92 Soldiers Field DAUD 2 AudioTech shotguns>DAT>CDR
07/01/92 Buckeye Lake DSBD 2 preFM SBD > CM > DAT > CDR > WAV > SHNv3
12/06/92 Compton Terrace DVD 2 Audience tripod, nice camerawork>2nd gen VHS Audio Source
12/12/92 Oakland Col. Arnea DSBD 3 Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
12/13/92 Oakland Col. Arnea DSBD 3 Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
12/16/92 Oakland Col. Arnea DSBD 3 Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
12/16/92 Oakland Col Arena DVD 1 Set II only; aud. shot, matrix sound
12/17/92 Oakland Col Arena DSBD 3 Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
01/24/93 Oakland Col. Arena DSBD 3 SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN
02/23/93 Oakland Col. Arena DSBD 2 SET II; DSBD->DAT->CDR; with Ornetter Coleman & Graham Wiggins
03/10/93 Rosemont Horizon DSBD 3 DSBD>DAT master>analog>DAT >CDR>EAC>SHN>CDR
03/24/93 Dean E. Smith Ctr. DSBD 2 DSBD>DAT>Bootleg CD "Here Comes Sunshine"
03/25/93 Dean E. Smith Ctr. DSBD 3 DSBD>DAT x?>SHN>CDR
05/16/93 Sam Boyd DSBD 3 DSBD>DAT>CDR; set I may be the internal FM source
08/22/93 Autzen Stadium DSBD 3 SBD-DAT->CDR
09/13/93 Philly Spectrum DSBD 3 SBD>DAT>CM>DAT>CD
09/22/93 MSG DAUD 3 Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 DAT transfer via:
Sony PCM-M1 > Oade 7pin/coax active cable >Midi-Man CO2 S/PDIF format converter (coax to toslink) >Zoltrix Nightengale > Cool Edit 2000 (also used for 48k to 44.1k downsample) >tracked with CD-WAV. Encoded to SHN via MKW-ACT
02/13/94 SEVA Benefit SBD FILLER Crosby Nash & Lesh filler on 6/24/70
03/30/94 The Omni DSBD 1 Scarlet-Space only; SBD>DAT>ZA2>Samplitude2496>CDR>EAC>SHN
06/17/94 Eugene, OR DSBD 2 DSBD>?CDR
10/05/94 Philly Spectrum DVD 3 Video: Audience-shot (Tripod); Audio: SBD aource
10/15/94 MSG DSBD 1 Set I only; DSBD (pre-FM GDH)DAT>CDR
10/17/94 MSG DVD 3 Audience shot; nice
11/29/94 McNichols Arena, Denver DAUD 3 AUD(Schoeps MK4)>DAT>CDR>WAV>SHNv3
03/17/95 Philly Spectrum DVD 1 AUD shot; set I & set II through space
03/18/95 Philadelphia Spectrum DSBD 2 Liberated bootleg; Visions of Johanna from this show on Phil Zone
03/18&19 '95 Philly Spectrum DVD 1 Mix of both shows
03/26/95 Omni SBD 2 SBD > MC > DAT > CDR
06/21/95 Knick SBD 2 Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7
06/25/95 RFK DSBD 2 DSBD>DAT>CDR>Bootleg CD>CDR
07/02/95 Deer Creek DAUD 2 From the Bootleg CD "Big Bust"
xx/xx/95 "Lost Album" Bootleg CD 1 From the boot CD "Earthquake Country" Supposed to be what was going to be on the last album. Various shows, Eternity, Days Betwen, etc.
??/??/7? National Lampoon FMS 1 GD Radio parody
02/04/08 The Warfield, S.F. iClips.net live stream 1 "Dead For Obama"
Jerry Garcia shows
Bob Weir, Ratdog & Kingfish shows
Phil shows
The Dead and The Other Ones shows
ROBERT HUNTER
03/38/84 Ripleys DVD 1
09/27/86 Graffitti Showcase SBD 2 MSC->Cass->CD
08/03/02 Alpine Valley DAUD 1 Earthworks SR 77's > Lunatec V2 > AD2K > D8; Transfer: DA-P1 > Audiophile 2496 > Cool Edit Pro > CDWave > mkwACT
08/04/02 Alpine Valley DAUD 1 Mircrotech Gefell m210's > Lunatec V2 > AD2K > D8; Transfer: DA-P1 > Audiophile 2496 > Cool Edit Pro > CDWave > mkwACT
BILL KREUTZMAN
02/12/09 Santa Cruz, CA DAUD 2 Edirol R09 (internal mics) on stage (24/48) > Adobe Audition (24/48 > 16/44) > CD Wave >FLAC 16
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